A MARBLE FOUNTAIN CENTRE
A MARBLE FOUNTAIN CENTRE
A MARBLE FOUNTAIN CENTRE
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A MARBLE FOUNTAIN CENTRE
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Specifed lots (sold and unsold) marked with a fill… Read more
A MARBLE FOUNTAIN CENTRE

MAMLUK OR OTTOMAN EGYPT, 15TH CENTURY

Details
A MARBLE FOUNTAIN CENTRE
MAMLUK OR OTTOMAN EGYPT, 15TH CENTURY
The central section from a larger fountain, the white marble with a square base rising into two stepped octagonal storeys, each with pierced geometric openwork arched openings separated by twelve columns each topped by a water spout in the form of an eight-pointed flowerhead, the upper storey with an octagonal basin, the four corners of the base each with a further flowerhead water spout
26 3⁄8in. (67cm.) square
Provenance
Francesca Arturner, Belgium from 1955 (by repute)
Collection of D.Dean, England, from 1969
Thence by descent to the previous owner
Special notice
Specifed lots (sold and unsold) marked with a filled square not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00 pm on the day of the sale will, at our option, be removed to Crown Fine Art (details below). Christie’s will inform you if the lot has been sent ofsite. If the lot is transferred to Crown Fine Art, it will be available for collection from 12.00 pm on the second business day following the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crown Fine Art. All collections from Crown Fine Art will be by prebooked appointment only.

Brought to you by

Barney Bartlett
Barney Bartlett Junior Specialist

Lot Essay


Fountains such as this were used in domestic interiors in Egypt and Syria from the Mamluks to the Ottomans. It would have served both for decoration and function, filling the interior with the soft sound of trickling water whilst also cooling the air. They were often set in vast geometric mosaic marble surrounds, as illustrated by an example in the Aga Khan Museum (acc.no AKM960) and another in the Shangri La Museum, Hawaii. European artists also incorporated them into interior paintings as shown by John Friedrick Lewis, 'The Reception' (A Lady Receiving Visitors) (fig.1). A further, more complete but less detailed or ambitious example was sold in these Rooms, 26 April 1994, lot 334.

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