A SOFT-METAL-INLAID SHIBUICHI VASE
A SOFT-METAL-INLAID SHIBUICHI VASE
1 More
A SOFT-METAL-INLAID SHIBUICHI VASE

MEIJI PERIOD (LATE 19TH CENTURY), SIGNED OJU KAZUNORI HO (FUKAWA KAZUNORI II; 1855-1919)

Details
A SOFT-METAL-INLAID SHIBUICHI VASE
MEIJI PERIOD (LATE 19TH CENTURY), SIGNED OJU KAZUNORI HO (FUKAWA KAZUNORI II; 1855-1919)
Of tapering ovoid form with short neck, inlaid in gold, silver and shakudo hirazogan, finely chiseled a carp under wisteria, carp body with textured shibuichi patina, signature to the body
10 1⁄4 in. (26 cm.) high

Brought to you by

Takaaki_Murakami
Takaaki Murakami Vice President, Specialist and Head of Department | Korean Art

Lot Essay

This vase shows the artist’s technical excellence and creative vision in the free approach to design, perhaps best seen in the great swathe of wisteria in katakiri-bori and hirazogan in which the flowers and leaves glow like brush painting.
Born in Tokyo, Fukawa Kazunori II (Keizaburo) learned metalwork, cloisonne and painting from his father Fukawa Kazunori I (Juzaburo), the third son of the famous dramatist Gohensha Hanku. He was appointed as a professor at the Japan Art Institute (Nihon Bijutsu-in) in 1898.
For a sword guard by the same artist showing similar techniques, see Nezu Museum, Pinnacle of Elegance: Sword Fittings of the Mitsumura Colelction (Tokyo: Nezu Museum, 2017), no. 187.

More from Japanese and Korean Art Including the Collection of David and Nayda Utterberg

View All
View All