A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
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A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
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VARIOUS PROPERTIES
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN

JULIO-CLAUDIAN PERIOD TO FLAVIAN PERIOD, CIRCA MID 1ST CENTURY A.D.

Details
A ROMAN MARBLE PORTRAIT HEAD OF A WOMAN
JULIO-CLAUDIAN PERIOD TO FLAVIAN PERIOD, CIRCA MID 1ST CENTURY A.D.
9 1⁄4 in. (23.4 cm.) high
Provenance
Karol Lanckoronski (1848-1933), Vienna; thence by descent to his son, Anton (Antoni) Lanckoronski (1893-1956), Vienna and Zurich.
Confiscated with the Lanckoronski Collection by the Gestapo (Inv. no. AL490).
Restituted to Anton (Antoni) Lanckoronski (1893-1956), Vienna and Zurich; thence by descent to his sister, Adelheid (Adelajda) Lanckoronska (1903-1980), Vienna and Zurich.
The Property of The Countess Adelheid Lanckoronska; Antiquities, Sotheby's, London, 11 July 1967, lot 33.
Nejman, acquired from the above (according to auctioneer's book; probably Joseph Newman, Newman's Antiques, Sydney).
Margaret Winifred Whyte (1917-2018), Canberra, acquired 1960s-1970s; thence by descent.
with Collectorium on Newcastle, Canberra.
Acquired by the current owner from the above, 2018.
Literature
Arachne Online Database no. 1067116.

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

This portrait of a young woman sports a hairstyle that was popularized by Agrippina Minor, the sister of the Emperor Caligula, the niece and wife of the Emperor Claudius, and mother, from a previous marriage, of the Emperor Nero. Her hair is center-parted and arranged in deeply-drilled tight curls. A long tress in back is gathered along her neck and tied in a ribbon. Her large unarticulated eyes and sensuous lips are also characteristic of the Empress’ portraits. The style is close to a portrait of her in Seville, pp. 237ff, pl. 5 in J.M. Luzón Nogué and M.P. León Alonso, “Esculturas Romanas de Andalucia,” in Habis, 1971. Despite the resemblance to the Empress, this portrait most likely depicts a private individual from the late Julio-Claudian period or slightly later, since the deeply-drilled curls continued in popularity into the Flavian Dynasty.

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