A VERY RARE GREYISH-GREEN JADE BIRD-FORM FINIAL/INSIGNIA
A VERY RARE GREYISH-GREEN JADE BIRD-FORM FINIAL/INSIGNIA
A VERY RARE GREYISH-GREEN JADE BIRD-FORM FINIAL/INSIGNIA
A VERY RARE GREYISH-GREEN JADE BIRD-FORM FINIAL/INSIGNIA
3 更多
T. EUGENE WORRELL珍藏中國玉器
商晚期至西周早期 公元前十二至十一世紀 灰青玉鳥形飾

LATE SHANG-EARLY WESTERN ZHOU DYNASTY, 12TH-11TH CENTURY BC

細節
商晚期至西周早期 公元前十二至十一世紀 灰青玉鳥形飾
3 in. (7.7 cm.) long, metal stand
來源
Mathias Komor (1909-1984), 紐約, 1949年3月
Myron S. (1906-1992)及Pauline Baerwald Falk (1910-2000)伉儷珍藏, 紐約, 編號501
Falk伉儷珍藏(一), 紐約佳士得, 2001年10月16日, 拍品編號195
出版
美國中國藝術協會, 《Small Sculpture: Shang Through Sung Dynasties》, 紐約, 1954年, 編號5
華美協進社, 《Art Styles of the Ancient Shang from Private and Museum Collections》, 紐約, 1967年, 頁34, 編號59
展覽
紐約, 美國中國藝術協會, 「Small Sculpture: Shang Through Sung Dynasties」, 1954年2月19日-4月17日
借展: 紐約, 大都會藝術博物館, 1965年, 編號L.65.46.6
紐約, 華美協進社, 「Art Styles of the Ancient Shang from Private and Museum Collections」, 1967年4月5日-6月11日
‌夏洛茨維爾, Worrell家族藝廊, 2001-2022年

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安)

拍品專文

This well-carved jade bird-form finial or insignia is unusual in its thickness. Like other bird pendants of the late Shang period, it has a short hooked beak, prominent chest and bent legs. The crest on the head sweeps back and then up at the tip, in contrast to that on a related green jade bird pendant of slightly smaller size excavated in 1976 from the Tomb of Fu Hao, Yinxu, Anyang, Henan province, with upright and notched in the center. See Yeung Kin-Fong, Zhongguo chutu guyu, vol. 1, Chinese University Press, Hong Kong, 1987, pl. XIII:4, and p. 237. On this latter figure the details of the wings appear to be in linear relief, rather than delineated in fine double grooves as on the current carving. Another related, but more simply carved bird pendant of yellowish-green color excavated in 1980 in Shaanxi province, which also appears to be quite thick, is illustrated in Zhongguo meishu yuqi, vol. 2, Hebei, 1993, p. 118, pl. 165. Both of these examples have a concave back, while another thick jade bird pendant in the collection of Sir Joseph Hotung, illustrated by R. Krahl, Chinese Jades from the Neolithic to the Qing, London, 1995, p. 218, no. 12:14, has the wings and tail projecting from the back of the figure.

One of the interesting features of the current bird carving is how accentuated the concave curve of the back is. When held in the hand, the bird's head is enclosed in the palm, and the thumb fits very comfortably in the curve of the back.

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