A GHUDJERI KILIM
A GHUDJERI KILIM
A GHUDJERI KILIM
2 More
A GHUDJERI KILIM
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This lot will be removed to Christie’s Park Royal.… Read more PROPERTY FROM A PRIVATE CONNECTICUT COLLECTION
A GHUDJERI KILIM

UZBEKISTAN, LATE 19TH CENTURY

Details
A GHUDJERI KILIM
UZBEKISTAN, LATE 19TH CENTURY
Woven in thirteen strips with embroidered detailing, one small area of damage and localised light surface marks, overall very good condition
11ft.10in. x 6ft. (361cm. x 183cm.)
Special notice
This lot will be removed to Christie’s Park Royal. Christie’s will inform you if the lot has been sent offsite. Our removal and storage of the lot is subject to the terms and conditions of storage which can be found at Christies.com/storage and our fees for storage are set out in the table below - these will apply whether the lot remains with Christie’s or is removed elsewhere. Please call Christie’s Client Service 24 hours in advance to book a collection time at Christie’s Park Royal. All collections from Christie’s Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s it will be available for collection on any working day 9.00 am to 5.00 pm. Lots are not available for collection at weekends. This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

Brought to you by

Behnaz Atighi Moghaddam
Behnaz Atighi Moghaddam Head of Sale

Lot Essay

Known locally as ghudjeri, these highly decorated kilims were made for domestic use by nomadic Uzbeks in northern Afghanistan and Uzbekistan in the villages to the west of Mazar-i-Sharif, near Balkh and Aq Chah, (A. Hull, and J.Luczyc-Wyhowska, Kilim, The Complete Guide, London, 1993, pp.264-5, fig.504). They were woven in long bands, cut into strips between 160cm. and 210cm. in length and then sewn together in the same way as a Persian jajim. The decoration is warp-faced, with long loose warps at the back and their ornamentation points to a pre-lslamic, shamanistic source filled with complex, ancient motifs predominantly woven in a palette of red, yellow, ivory and black. The dramatic patterns that alternate in direction and colour create an exuberant display of vibrancy. Previously unclassified, Dr. Claudius Giese explored this group of Central Asian flat weaves in an exhibition, ‘The Unknown Uzbek Ghudjeri-Kilim’, held in 2002 at the Ethno-Textil Gallery in Bremen, where fifty examples woven between 1850-1950 were on display, (HALI, Issue 121, p.125).

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