AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS
AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS
AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS
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AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS
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AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS

MING DYNASTY, 16TH-17TH CENTURY

Details
AN EXCEPTIONAL PAIR OF MASSIVE WHITE MARBLE BUDDHIST LIONS
MING DYNASTY, 16TH-17TH CENTURY
Each lion is chiseled from a single block of white marble, seated on its haunches with jaws open, the bulging eyes peering from below the bushy eyebrows, the head surrounded by a mane of tight curly tufts above a collar centred by a lion-mask, tied around the neck with ribbons trailing down the back, the female playfully pressing her cub under her left paw, the male clutching a beribboned brocade ball beneath the right paw. Both are supported on an integral base with a cover detailed with a diaper ground.
female: 68 1/4 in. (173.5 cm.) high, 25 1/4 (64 cm.) wide, 48 3/4 in. (123.6 cm.) deep; male: 68 1/2 in. (173 cm.) high, 25 1/4 in. (64.3 cm.) wide, 48 in. (122 cm.) deep, each weighs approximately 2 metric tons
Provenance
A prominent Japanese family collection, Ashiya, Japan since early 20th century (by repute)

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Marco Almeida (安偉達)
Marco Almeida (安偉達) SVP, Senior International Specialist, Head of Department & Head of Private Sales

Lot Essay

Distinguished by its monumentality and lively detailed modelling, the present pair of white marble lions would have been placed in front of a gate or guarding an entrance. Similar white marble lions of this monumental size and quality are very rare to find at auctions. Compare a similar pair of white marble lions (160 cm. high) dated to late Ming dynasty from Yamanaka Shokai, Japan, sold at Sotheby’s Hong Kong, 8 April 2010, lot 1848; and two other smaller pairs, one dated to Ming dynasty (127.5 cm. high), sold at Christie's London, 3 November 2020, lot 23, and one circa 1900 (116 cm. high), sold at Christie's London, 9 November 2010, lot 249.

It is noteworthy that the style of the diaper pattern found on the brocade cover on top of the integral stand is very similar to the diaper ground found on contemporaneous carved cinnabar lacquer wares, such as the two circular boxes dated to the 16th-century in the National Palace Museum, Taipei, illustrated in Carving the Subtle Radiance of Colors: Treasured Lacquerware in the National Palace Museum, Taipei, 2008, p. 64, nos. 42-43.

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