AMMI PHILLIPS (1788-1865)
AMMI PHILLIPS (1788-1865)
AMMI PHILLIPS (1788-1865)
AMMI PHILLIPS (1788-1865)
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PROPERTY OF A DIRECT DESCENDANT OF THE HAXTUN FAMILY
AMMI PHILLIPS (1788-1865)

PORTRAIT OF A HAXTUN FAMILY MEMBER, PROBABLY SARAH E. HAXTUN (LATER MRS. ISAAC AKIN, 1824-1879)

細節
AMMI PHILLIPS (1788-1865)
PORTRAIT OF A HAXTUN FAMILY MEMBER, PROBABLY SARAH E. HAXTUN (LATER MRS. ISAAC AKIN, 1824-1879)
oil on canvas
33 1/4 x 27 9⁄8 in.
Painted circa 1839
來源
Elnathan Haxtun (1795-1862), Beekman, New York, father of the sitter
William Edward Haxtun (1832-1900), Beekman, New York and Kewanne, Illinois, the sitter’s brother
Annis B. (Haxtun) Strong (1864-1941), Portland, Oregon, daughter
Frederick Haxtun Strong (1895-1968), Portland, Oregon, son
Lillian W. (Neff) Strong (1904-1997), Portland, Oregon, wife
George Trowbridge Strong (1920-2000), step-son
Thence by descent
出版
David R. Allaway, My People: The Works of Ammi Phillips (2021), vol. 1, p. 269, no. 805, vol. 2, p. 70.

榮譽呈獻

Julia Jones
Julia Jones Associate Specialist

拍品專文

A prolific portraitist who worked in the border areas of New York and Connecticut, Ammi Phillips rendered likenesses in a number of distinct styles over the course of his long itinerant career. The boldness and sharp realism of the portrait of Sarah E. Haxtun exemplifies the traits seen in the artist’s work from the 1830s, known as the “Kent Limner” period, as for part of this time, he painted sitters from Kent, Connecticut. The present work was likely painted in the mid to later 1830s in Dutchess, New York. It is characteristic of the “Kent Limner” period with the lighter medium brown background, stylized balloon-sleeved dress and pose with her leaning on a table with books (David R. Allaway, My People: The Works of Ammi Phillips (2021), p. 10).

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