A LARGE ATTIC BLACK-FIGURED COLUMN-KRATER
A LARGE ATTIC BLACK-FIGURED COLUMN-KRATER
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THE PROPERTY OF A CALIFORNIA PRIVATE COLLECTOR
A LARGE ATTIC BLACK-FIGURED COLUMN-KRATER

CIRCA 560-550 B.C.

細節
A LARGE ATTIC BLACK-FIGURED COLUMN-KRATER
CIRCA 560-550 B.C.
15 3/4 in. (40 cm.) high
來源
with Dr. Elie Borowski (1913-2003), Toronto and Jerusalem.
Corporate Collection, Japan, acquired from the above, circa 1990.
Ancient Greek Vases Formerly in the Private Collection of Dr. Elie Borowski, Christie's, New York, 12 June 2000, lot 36.
出版
Beazley Archive Pottery Database no. 22859.

榮譽呈獻

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

拍品專文

One side of this impressive column-krater is centered by a charioteer driving a quadriga to the right. The charioteer wears a long, white, sleeveless chiton and carries a Boeotian shield over his left shoulder. He looks back towards the horseman behind him. At the far right is Hermes, walking right but looking back, wearing a chlamys and winged boots, holding his kerykeion and gesturing with his raised right hand.

The presence of Hermes indicates a mythological context for the scene, perhaps related to the Trojan War. On one side of the exterior of a later red-figured cup by Onesimos, Hermes similarly stands before a chariot, but on the cup there is an additional hoplite standing astride the horses, thought to be Odysseus (see D. Williams, Corpus Vasorum Antiquorum, Great Britain, Fascicule 17, The British Museum, Fascicule 9, pp. 20-21, pl. 9). The scene has been interpreted as Hermes stopping Odysseus from joining the fray at Troy, since his presence in the battle would upset the gods plans. Above the horses on the column-krater is a nonsense inscription, which unfortunately does not assist in clarifying the subject. On the reverse is a seated sphinx and a partially preserved feline, with a large bird under one handle.

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