AN ATTIC RED-FIGURED NOLAN AMPHORA
AN ATTIC RED-FIGURED NOLAN AMPHORA
AN ATTIC RED-FIGURED NOLAN AMPHORA
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AN ATTIC RED-FIGURED NOLAN AMPHORA
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AN ATTIC RED-FIGURED NOLAN AMPHORA

ATTRIBUTED TO THE NIKON PAINTER, CIRCA 460-450 B.C.

Details
AN ATTIC RED-FIGURED NOLAN AMPHORA
ATTRIBUTED TO THE NIKON PAINTER, CIRCA 460-450 B.C.
13 1/2 in. (34.2 cm.) high
Provenance
Private Collection, Switzerland.
with Galerie Günter Puhze, Freiburg, 1999 (Kunst der Antike, Katalog 13, no. 118).
Antiquities, Sotheby's, New York, 12 June 2001, lot 63.
with Royal-Athena Galleries, New York, acquired from the above (Art of the Ancient World, vol. XIII, 2002, no. 86; vol. XXX, 2019, no. 73; One Thousand Years of Ancient Greek Vases, vol. II, 2010, no. 81).
Literature
Beazley Archive Pottery Database no. 24502

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Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

The Nikon Painter, who takes his name from the kalos-inscriptions found on two amphorae and two lekythoi, was a follower of the Providence Painter, himself a pupil of the Berlin Painter. He frequently painted lekythoi and oinochoai, but his preferred shape, like that of his mentor, was the Nolan amphora (see pp. 650-652 in J.D. Beazley, Attic Red-Figure Vase-Painters). The Nikon Painter preferred single figures isolated on the black background, as seen here. On one side a winged Nike, flying to the right, wears a chiton and himation and holds a fillet in her outstretched hands. The other side depicts a draped youth with one arm extended. Both sides feature a meader groundline. For a similar example in Madrid, see p. 650, no. 5 in Beazley, op. cit.

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