AN ATTIC RED-FIGURED NOLAN AMPHORA
AN ATTIC RED-FIGURED NOLAN AMPHORA
AN ATTIC RED-FIGURED NOLAN AMPHORA
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AN ATTIC RED-FIGURED NOLAN AMPHORA
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AN ATTIC RED-FIGURED NOLAN AMPHORA

ATTRIBUTED TO THE NIKON PAINTER, CIRCA 460-450 B.C.

細節
AN ATTIC RED-FIGURED NOLAN AMPHORA
ATTRIBUTED TO THE NIKON PAINTER, CIRCA 460-450 B.C.
13 1/2 in. (34.2 cm.) high
來源
Private Collection, Switzerland.
with Galerie Günter Puhze, Freiburg, 1999 (Kunst der Antike, Katalog 13, no. 118).
Antiquities, Sotheby's, New York, 12 June 2001, lot 63.
with Royal-Athena Galleries, New York, acquired from the above (Art of the Ancient World, vol. XIII, 2002, no. 86; vol. XXX, 2019, no. 73; One Thousand Years of Ancient Greek Vases, vol. II, 2010, no. 81).
出版
Beazley Archive Pottery Database no. 24502

榮譽呈獻

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

拍品專文

The Nikon Painter, who takes his name from the kalos-inscriptions found on two amphorae and two lekythoi, was a follower of the Providence Painter, himself a pupil of the Berlin Painter. He frequently painted lekythoi and oinochoai, but his preferred shape, like that of his mentor, was the Nolan amphora (see pp. 650-652 in J.D. Beazley, Attic Red-Figure Vase-Painters). The Nikon Painter preferred single figures isolated on the black background, as seen here. On one side a winged Nike, flying to the right, wears a chiton and himation and holds a fillet in her outstretched hands. The other side depicts a draped youth with one arm extended. Both sides feature a meader groundline. For a similar example in Madrid, see p. 650, no. 5 in Beazley, op. cit.

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