A ROMAN ROSSO ANTICO HEAD OF A SATYR
A ROMAN ROSSO ANTICO HEAD OF A SATYR
A ROMAN ROSSO ANTICO HEAD OF A SATYR
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PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
A ROMAN ROSSO ANTICO HEAD OF A SATYR

FLAVIAN PERIOD, CIRCA LATE 1ST CENTURY A.D.

Details
A ROMAN ROSSO ANTICO HEAD OF A SATYR
FLAVIAN PERIOD, CIRCA LATE 1ST CENTURY A.D.
12 1/2 in. (31.7 cm.) high
Provenance
Probably collected by John Spencer, 1st Earl Spencer (1734-1783), Althorp, West Northamptonshire; thence by continuous descent in the Spencer family, Althorp, until at least 1973.
Peter A. Paanakker (1925-1999), Los Angeles, acquired in the U.K., mid to late1970s.
Private Collection, Los Angeles, acquired late 1980s.
Antiquities, Bonhams, London, 3 April 2014, lot 50.
Literature
A. Scholl, ed., Die antiken Skulpturen in Farnborough Hall sowie in Althorp House, Blenheim Palace, Lyme Park und Penrice Castle, Mainz am Rhein, 1995, pp. 12-13, no. A2, pl. 1, 3.
Arachne Online Database no. 1060644.
Exhibited
Art Institute of Chicago, Dionysos Unmasked: Ancient Sculpture and Early Prints, 11 June 2015-15 February 2016.
Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, 14 June 2016-19 April 2022.
Sale room notice
Please note updated exhibition history:

Art Institute of Chicago, Dionysos Unmasked: Ancient Sculpture and Early Prints, 11 June 2015-15 February 2016.
Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, 14 June 2016-19 April 2022.

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

This distinctive Roman marble head of a satyr is sculpted from rosso antico — a fine grained, highly-compacted limestone ranging in color from a light red to a dark purple quarried in Taenarum, modern day Cape Matapan in the Peloponnese (see pp. 95-97 in M.L. Anderson and L. Nista, eds., Radiance in Stone: Sculptures in Colored Marble from the Museo Nazionale Romano). He is depicted with prominent features including a fleshy chin and cheeks, wavy hair and characteristic pointed ears; two small horns emerge from his forehead right below the hairline. The head is mounted on a circa 18th century rosso antico bust with a marble pedestal.

According to A. Scholl (op. cit.) the satyr type presented here is based on a Hellenistic original known from at least five extant Roman copies, including one in the Villa Albani, Rome (see pp. 342-346 in P. C. Bol, ed., Forschungen zur Villa Albani: Katalog der antiken Bildwerke, vol. I). As Scholl’s analysis was based solely on black and white photographs taken at Althorp in 1973 by Raoul Laev, he incorrectly noted that the work was constructed of marble.

This bust was likely collected by John Spencer, 1st Earl Spencer (1734-1783) during his Grand Tour in the 1760s. Like their relatives, the Dukes of Marlborough, the Spencers were voracious collections of ancient art. The notebooks of John, 2nd Earl Spencer (1758-1834), preserved in the British Library, recount his penchant for the ancient world and his travels around Italy. Althorp, the Spencer’s ancestral home in West Northamptonshire where this bust resided until at least 1973, was also home to Lady Diana Spencer from the early 1970s until her marriage to Charles, Prince of Wales, in 1981.

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