A BRONZE TRIPOD CENSER AND STAND
A BRONZE TRIPOD CENSER AND STAND
A BRONZE TRIPOD CENSER AND STAND
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A BRONZE TRIPOD CENSER AND STAND
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A BRONZE TRIPOD CENSER AND STAND

18TH CENTURY

Details
A BRONZE TRIPOD CENSER AND STAND
18TH CENTURY
Of compressed form, the censer is raised on three short tapering feet and is cast with two upright loop handles on the rim, and the base is cast with an apocryphal Xuande mark. The stand is shaped as a mallow flower with three ruyi-form feet. Both the censer and the stand have a rich reddish-brown patina suffused with very fine gilt speckling.
7 1/4 in. (18.4 cm.) wide
Provenance
Acquired in Hong Kong, October 1981.
Hugh Moss, Shuisongshi Shanfang (Water, Pine and Stone Retreat) Collection.
The Hedda and Lutz Franz Collection, Hong Kong, no. 1274.
J. J. Lally & Co., New York, no. x2616.
Literature
J. J. Lally & Co., Elegantly Made: Art for the Chinese Literati, New York, 2020, no. 1.
Exhibited
New York, J. J. & Lally & Co., Elegantly Made: Art for the Chinese Literati, 13-27 March 2020.

Brought to you by

Margaret Gristina (葛曼琪)
Margaret Gristina (葛曼琪) Senior Specialist, VP

Lot Essay

The very fine gilt speckling throughout the reddish-brown patina on this censer is traditionally referred to as ‘golden rain’ or ‘golden mist’.

It is rare to find a bronze censer with upright handles raised on a petal-form stand, however, a gilt-splashed example dated to the Kangxi-Qianlong period (1662-1795) was included in the exhibition, Later Chinese Bronzes: The Saint Louis Art Museum and Robert E. Kresko Collections, Saint Louis, 2008, p. 137, no. 28. Another Xuande-marked incense burner and stand of this form, decorated with gold splashes, is illustrated by G. Tsang and H. Moss in Arts from the Scholar’s Studio, Hong Kong, 1986, pp. 150-51, no. 123, where the authors provide a lengthy discussion of the history of this type of bronze incense burner.

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