A BRONZE RITUAL WINE VESSEL, HE
A BRONZE RITUAL WINE VESSEL, HE
A BRONZE RITUAL WINE VESSEL, HE
2 更多
A BRONZE RITUAL WINE VESSEL, HE
5 更多
Please note that this lot is subject to an import … 顯示更多 法國私人珍藏
西周早期 公元前十一至十世紀 青銅盉

EARLY WESTERN ZHOU DYNATY, 11TH-10TH CENTURY BC

細節
西周早期 公元前十一至十世紀 青銅盉銘文: 榮子作父戊8 ¼ in. (21 cm.) wide across
來源
劉體智 (1879-1962) 舊藏
容庚(1894-1983) 舊藏
葡萄牙貴族私人珍藏, 20世紀中葉入藏於歐洲
歐洲私人珍藏, Daguerre拍賣行, 巴黎德魯奧, 2013年3月29日, 拍品編號94
出版
劉體智,《善齋吉金錄》, 1934年, 卷9, 頁30
劉體智,《小校經閣金文拓本》, 1935年, 卷9, 頁49, 編號1
王辰,《續殷文存》下卷, 1935年, 頁73, 編號1-2
羅振玉,《三代吉金文存》, 1937年, 卷14, 頁7, 編號7-8
容庚,《頌齋吉金續錄》, 北京, 1938年, 頁229, 圖版編號54
容庚,《商周彝器通考》, 北京, 1941年, 卷2, 頁250, 編號475
嚴一萍,《金文總集》, 臺北, 1983年, 頁2455, 編號4407
林巳奈夫,《殷周時代青銅器の研究·殷周青銅器綜覧》, 東京,1984年, 卷I, 頁209, 編號48
中國社會科學院考古研究所編, 《殷周金文集成》, 北京, 1993年, 卷15, 頁99, 編號9390
王獻唐,《國史金石志稿》, 青島, 2004年, 卷2, 頁1197
吳鎮烽, 《商周青銅器銘文暨圖像集成》, 上海, 2012年, 卷26, 頁117, 編號14706
注意事項
Please note that this lot is subject to an import tariff. The amount of the import tariff due is a percentage of the final hammer price plus buyer's premium. The buyer should contact Post Sale Services prior to the sale to determine the estimated amount of the import tariff. If the buyer instructs Christie's to arrange shipping of the lot to a foreign address the buyer will not be required to pay the import tariff, but the shipment may be delayed while awaiting approval to export from the local government. If the buyer instructs Christie's to arrange shipping of the lot to a domestic address, if the buyer collects the property in person, or if the buyer arranges their own shipping (whether domestically or internationally), the buyer will be required to pay the import tariff. For the purpose of calculating sales tax, if applicable, the import tariff will be added to the final hammer price plus buyer's premium and sales tax will be collected as per The Buyer's Premium and Taxes section of the Conditions of Sale.

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

拍品專文

The present he was formerly in the collection of Liu Tizhi (1879-1962) and was published in Liu’s catalogues, Shanzhai jijin lu (The Records of Archaic Bronzes in the Shanzhai Studio), and Xiaojiaojingge jinwen taben (Rubbings of Archaic Bronze Inscriptions in the Xiaojiaojingge Studio). Liu Tizhi, literary name Huizhi and Shanzhai Laoren (elder man in the Shanzhai studio), was a native of Lujiang, Anhui province. His father, Liu Bingzhang (1826-1905), was the governor of Sichuan province in the late Qing dynasty, and his father-in-law, Sun Jianai (1827-1909), was a grand secretary and a mentor to the Guangxu Emperor. Liu Tizhi’s collection ranged widely from oracle bones to archaic bronzes to rare books. This he subsequently entered the collection of Rong Geng (1894-1983), who commented in his Shangzhou yiqi tongkao (A General Study of Archaic Bronzes in the Yin and Zhou Dynasties) that “Liu Tizhi has the biggest collection of bronzes among all Chinese collectors in the recent years.” Rong Geng was a native of Dongguan city, Guangdong province, and trained under the famed late Qing-dynasty Epigraphy scholar Luo Zhenyu (1866-1940), and received his graduate degree in Sinology from Peking University. Rong then taught ancient Chinese and archeology at the University while serving as a researcher at the Palace Museum in Beijing. Rong has published dozens of instrumental books, which became the foundation of the studies in ancient Chinese text and material in modern China.

The clan name of Rong is recorded in Chinese historical documents, such as Shangshu: Zhouguan (Book of Documents: official system of the Zhou dynasty), probably compiled in 5th century BC, and Sima Qian's (b. 145 BC) Shiji: Zhou Benji (Records of the Grand Historian: Annals of Zhou). Rong clan thrived during the Zhou period and was one of the vassal states of the Zhou. The clan shares the same family name 'Ji' of the Zhou royal court.

This bronze he compares closely with another one illustrated by Wu Zhenfeng in Shangzhou qingtongqi mingwen ji tuxiang jicheng (A Collection of Inscriptions and Images of Shang and Zhou Archaic Bronzes), Shanghai, 2012, vol. 26, p. 118, no. 14707, which shares both a similar shape and the same inscription. The same inscription cast on the interior of the present vessel and cover can also be found in a rubbing of a he in an album of rubbings entitled Lent Diet and Sacrificial Vessel Drawing, Supplement to Xiqing Sacrificial Vessel by Rong Geng (1894-1988) in the National Palace Museum, Taipei.

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