拍品專文
詩文: 雲間天淡古今情，振鬱纾陶氣完清，同慶鹵成農務畢，木蘭麌鹿聼呦鳴。御制詠秌 臣于敏中敬書
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QIANLONG PERIOD (1736-1795)
細節
清乾隆 掐絲琺瑯農家樂圖詩文掛屏26 ¾ in. x14 1/8 in. (67.5 cm. x 35.9 cm.), hardwood frame
來源
二十世紀初入藏於紐約, 後家族流傳至現藏家
注意事項
Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.
更多詳情
The inscription on the current panel, depicting an Autumn scene, is from a series on the Four Seasons, recorded in Yuzhi Shiji, (Compilation of Imperial Poems), vol. 2, juan 55, dated 1755.
Although the poem was composed by the Qianlong Emperor, the calligraphy is based on that of Yu Minzhong (1714-1779). Yu was an influential official at court who gained the title of Zhuang Yuan having ranked first in the Imperial civil service examination in 1737, and was responsible for the compilation of Siku Quanshu (the complete Library of the Four Treasures).
Two similar panels depicting landscape scenes and also with calligraphy by Yu Minzhong are in the collection of the Palace Museum, Beijing, published in Compendium of Collections in the Palace Museum - Enamels (3) - Cloisonné in the Qing Dynasty (1644-1911), Beijing, 2011, nos. 63 and 64. Another similar example with Yu's calligraphy, and representing Spring, is in the collection of the National Palace Museum, Taipei, illustrated in Enamel Ware in the Ming and Ch'ing Dynasties, Taipei, 1999, pl. 45. (Fig. 1) Being of the same size and with similar decoration, the current panel and the Taipei panel may have belonged to the same set.
Although the poem was composed by the Qianlong Emperor, the calligraphy is based on that of Yu Minzhong (1714-1779). Yu was an influential official at court who gained the title of Zhuang Yuan having ranked first in the Imperial civil service examination in 1737, and was responsible for the compilation of Siku Quanshu (the complete Library of the Four Treasures).
Two similar panels depicting landscape scenes and also with calligraphy by Yu Minzhong are in the collection of the Palace Museum, Beijing, published in Compendium of Collections in the Palace Museum - Enamels (3) - Cloisonné in the Qing Dynasty (1644-1911), Beijing, 2011, nos. 63 and 64. Another similar example with Yu's calligraphy, and representing Spring, is in the collection of the National Palace Museum, Taipei, illustrated in Enamel Ware in the Ming and Ch'ing Dynasties, Taipei, 1999, pl. 45. (Fig. 1) Being of the same size and with similar decoration, the current panel and the Taipei panel may have belonged to the same set.
榮譽呈獻
Rufus Chen (陳嘉安)
Head of Sale, AVP, Specialist