A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER
A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER
A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER
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A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER
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A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER

LATE KOFUN PERIOD (6TH-7TH CENTURY)

Details
A HANIWA EARTHENWARE SCULPTURE OF A HARP PLAYER
LATE KOFUN PERIOD (6TH-7TH CENTURY)
Of low-fired reddish clay, modeled as a male seated figure playing a harp, wearing a hat and armor, the head applied with two long plaits of hair and a sword slung from his waist, painted on the belt in reddish brown pigment, the results of the report on Thermoluminescence Analysis no. N123a91 obtained by the Research Laboratory for Archaeology and the History of Art, Oxford University, are consistent with the dating of this lot
27 1/2 in. (69.9 cm.) high
Provenance
Excavated in North Ibaraki City, Ibaraki Prefecture by repute
Japanese private collection, on loan to the Kyushu National Museum, Fukuoka Prefecture, November 2006 - December 2022

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Haniwa, "clay ring," take their name from the cylinders found in large tomb mounds as funerary objects for the Japanese elite families, beginning in the fourth century. Made of unglazed clay by the wazumi (coil and slab) technique, the tubular base of the hollowed pillar is sunk into the ground for stability. In the subsequent centuries, potters expanded the earthen cylinders into sculptures of humans, animals and household items. Harp player Haniwa is one of the rarest and only a handful of examples are known to exist. The eighth-century Kojiki (Chronicle of Japanese History and Mythology) records that the Japanese harp was an important musical instrument used for ritual ceremonies at the court. Armed warrior playing harp is regarded as a noble man, like the figure portrayed in the current example.

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