A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)
A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)
A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)
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A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)
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PROPERTY FROM A PRIVATE WEST COAST COLLECTION
A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)

LATE HEIAN PERIOD (12TH CENTURY)

Details
A CARVED WOOD SCULPTURE OF SEATED AMIDA NYORAI (AMITABHA)
LATE HEIAN PERIOD (12TH CENTURY)
Carved and assembled from cypress wood in yosegi zukuri technique and modeled as the Amida Buddha seated in lotus position, the hands held in dhyanamudra, the hair arranged in small, snail-shaped spiral curls (rahotsu), wearing a robe open at the torso and falling in pleats
56 3/4 in.(144.1 cm.) high
Provenance
Acquired from Albert Rudolph, Rudi Oriental Arts, New York in the late 1960s
Collection of Stephen Addiss (1935-2022)

Brought to you by

Takaaki Murakami (村上高明)
Takaaki Murakami (村上高明) Vice President, Specialist and Head of Department | Korean Art

Lot Essay

Amida was central to the Jodo (Pure Land) sect of Buddhism propounded in 1175 by the monk Honen, with the intent of making Buddhism more readily available to all people. Salvation could be attained by the simple repetition of the name of Amida or the Nenbutsu, of which there were a number of different methods of chanting. Many statues of the Buddha of the Western Paradise were made in response to the widespread popularity of Pure Land Buddhism from the twelfth century. This image is seated with legs crossed in the lotus position with the hands in gesture, or mudra, of "meditation" (zenjo-in).

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