MAN RAY (1890-1976)
MAN RAY (1890-1976)
MAN RAY (1890-1976)
7 更多
MAN RAY (1890-1976)
10 更多
On occasion, Christie's has a direct financial int… 显示更多
MAN RAY (1890-1976)

Revolving Doors

细节
MAN RAY (1890-1976)
Revolving Doors
the complete set of ten pochoirs in colors, on Arches paper, 1972, signed in ink on the interior of the paper covered boards, number 79 of 100, published by Luciano Anselmino, Torino, Italy, loose (as issued), with the title, table of contents, and justification pages, each the full sheet, together with the original paper covered boards with paper label, framed
Overall: 23 3/4 x 16 1/2 x 1 in. (600 x 420 x 22 mm.)
出版
Anselmino 18
注意事项
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.
拍场告示
Please note this lot is from the earlier 1926 edition of this portfolio and is number 79 from that edition of 105.

荣誉呈献

Lindsay Griffith
Lindsay Griffith Head of Department

拍品专文

Including: Shadows; Long Distance; Legend; Decanter; The Meeting; Mine; Orchestra; Dragon Fly; Concrete Mixer; and Jeune Fille

Between 1916 and 1917, Man Ray created a series of collages he called "Revolving Doors." He included the series in his third solo exhibition at the Daniel Gallery in New York, in 1919. The collages, whose geometric shapes combine machine-like and anthropomorphic forms, were framed and installed on a rotating pole that the viewer could spin. The original collages were destroyed, but he later reproduced them in this series of pochoirs, published by Éditions Surréalistes in Paris in 1926 and a subsequent edition in 1972 published by Luciano Anselmino (present lot). When Man Ray exhibited the Revolving Doors, he wrote labels to accompany each work. He later published the entire series in the Surrealist periodical Minotaure 7 (1935). The original, typewritten document is in the collection of the J.P. Getty Museum, Los Angeles.

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