A. MOLENAER (ACTIVE 1641-1652)
A. MOLENAER (ACTIVE 1641-1652)
A. MOLENAER (ACTIVE 1641-1652)
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A. MOLENAER (ACTIVE 1641-1652)

Group portrait of a Mennonite family from the Zaanstreek

細節
A. MOLENAER (ACTIVE 1641-1652)
Group portrait of a Mennonite family from the Zaanstreek
indistinctly signed and dated '[...]NAER/ 44' (lower left)
oil on canvas
53 3/4 x 77 in. (136.5 x 195.5 cm.)
來源
James Whitney Barney (1878-1948), New York; Parke-Bernet, New York, 24 October 1946, lot 41, as 'Jan Miense Molenaer'.
Henry Pearlman (1895-1974), New York, by 1969.
Anonymous sale [Property from a Private Foundation]; Christie's, New York, 29 January 1998, lot 249.
with Richard Green, London, 1998, where purchased.
出版
B.J.A. Renckens, 'Een onbekende Noordhollandse portretschilder: A. Molenaer', Oud Holland, LXXXIV, no. 1, 1969, pp. 76-80.
注意事項
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice. Specified lots (sold and unsold) marked with a filled square not collected from Christie’s, 8 King Street, London SW1Y 6QT by 5.00pm on the day of the sale will, at our option, be removed to Crozier Park Royal (details below). Christie’s will inform you if the lot has been sent offsite. If the lot is transferred to Crozier Park Royal, it will be available for collection on the third business day after the sale. Please call Christie’s Client Service 24 hours in advance to book a collection time at Crozier Park Royal. All collections from Crozier Park Royal will be by pre-booked appointment only. Tel: +44 (0)20 7839 9060 Email: cscollectionsuk@christies.com. If the lot remains at Christie’s, 8 King Street, it will be available for collection on any working day (not weekends) from 9.00am to 5.00pm

榮譽呈獻

Amelia Walker
Amelia Walker Director, Specialist Head of Private & Iconic Collections

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拍品專文


Formerly attributed to Jan Miense Molenaer, presumably on the basis of the partial signature, this fascinating family portrait is now given to a northern Dutch painter of whom very little is known; the most comprehensive study of his work can be found in a 1969 article by Bernard Renckens (op. cit.)

The façade of the building on the right displays the coat-of-arms of Amsterdam above the central window, and above the second row of windows, an unusual detail: a bust of a man with a turban. Renckens proposes that the figure might indicate the profession of the head of the family depicted, for example as a trader in foreign goods. At some point in the 20th Century, a sculpture of a man was added to the plinth on the upper left corner of the building, and subsequently removed.

Jan Duyvetter, former head of the Traditional Costumes department at the Nederlands Openluchtmuseum in Arnhem, proposed that the family might be from the Zaan region on the basis of similar portraits in Zaandijk, their sober attire and austere demeanour perhaps reflective of their Anabaptist faith (see Renckens, op. cit.). A similar painting by the artist was sold at Christie’s, South Kensington, 10 May 1990, lot 105.

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