ZHANG DAQIAN (1899-1983)
CHINESE PAINTINGS AND CALLIGRAPHY FROM THE COLLECTION OF DOROTHY AND TI-HUA KOO (LOTS 1211-1214)
ZHANG DAQIAN (1899-1983)

Admiring the Waterfall

Details
ZHANG DAQIAN (1899-1983)
Admiring the Waterfall
Scroll, mounted and framed, ink and colour on paper
99.2 x 34 cm. (39 x 13 3/8 in.)
Inscribed and signed, with four seals of the artist
Dated winter, jiwei year, sixty-eighth year (of the Republic, 1979)
Dedicated to Liangzhi
Provenance
Christie’s Hong Kong, Fine Chinese Modern Paintings, 29 May 2012, Lot 2933.
Further details
Koo Ti-Hua, a native of Wuxi, Jiangsu province, was born in Shanghai. In the 1950s, Koo graduated in Civil Engineering at Shanghai Jiao Tong University and was awarded scholarships by the government of West Germany to study business management in Hong Kong in 1962. Koo settled in Hong Kong in 1975, became an entrepreneur, and set up multi-category businesses. Since his youth, Koo developed an interest in Peking and Kunqu opera under the influence of his family. He has supported Kunqu opera groups by setting up a philanthropic foundation.

Brought to you by

Carmen Shek Cerne (石嘉雯)
Carmen Shek Cerne (石嘉雯) Vice President, Head of Department, Chinese Paintings

Lot Essay

The painting was dedicated to Zhan Liangzhi, the landscape architect for Zhang Daqian’s residence in Taiwan named Moye Jingshe. In Huatan Qicai Zhang Daqian (II), the writer Wang Jiacheng describes Zhang’s idea for his residence: “Once entering the door is the forecourt, with a flat lawn and many bonsai plants; closer to the house are flowers, trees and a swimming pool.” Zhang Daqian had particular requests for every corner of his house; for example, “the south of the second floor is the painting studio and mounting room, to facilitate the restorer to come work on the paintings. The rest of the floor is a sleeping area for my children and grandchildren. Above the second floor is a rooftop garden with a great vista, decorated with a lawn and bonsai, gibbon cage and small umbrellas for shading.” Zhan Liangzhi had a close friendship with the artist through building his ideal dwelling, and Zhang Daqian dedicated this painting to him as a token of gratitude.

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