ATTRIBUTED TO JAN LIEVENS (LEIDEN 1607-1674 AMSTERDAM)
ATTRIBUTED TO JAN LIEVENS (LEIDEN 1607-1674 AMSTERDAM)
ATTRIBUTED TO JAN LIEVENS (LEIDEN 1607-1674 AMSTERDAM)
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ATTRIBUTED TO JAN LIEVENS (LEIDEN 1607-1674 AMSTERDAM)

Saint Francis in Ecstasy

細節
ATTRIBUTED TO JAN LIEVENS (LEIDEN 1607-1674 AMSTERDAM)
Saint Francis in Ecstasy
oil on canvas
38 x 31 3/8 in. (96.5 x 79.7 cm.)
來源
Ida Israelsson (1874-1962) and August Herbert Israelsson (1876-1968), Örebro, from 1925, and by descent to their son,
Martin Israelsson Hagenfeldt (1899-1974), Örebro.
Private collection, Belgium.
Anonymous sale; Auction Affair S.R.L., Martina Franca, 27 February 2018, lot 189.
出版
H. Schneider, Jan Lievens. Sein Leben und seine Werke, Haarlem, 1932, pp. 35 and 107, no. 65, fig. 4, as Jan Lievens.
K. Bauch, Die Kunst des jungen Rembrandt, Heidelberg, 1933, p. 220, as Jan Lievens.
H. Schneider and R.E.O. Ekkart, Jan Lievens. Sein Leben und seine Werke, Amsterdam, 1973, p. 324, no. 65, fig. 4, as Jan Lievens.
J. Knipping, Iconography of the Counter Reformation in the Netherlands, Utrecht, 1974, p. 150, note 219.
W. Sumowski, Gemälde der Rembrandt-Schüler, Landau in der Pfalz, 1986, III, p. 1795, under no. 1239, as Jan Lievens.
B. Schnackenburg, Jan Lievens: Friend and Rival of the Young Rembrandt, with a catalogue raisonné of his early Leiden work 1623-1632, Petersburg, 2017, p. 325, no. 144, illustrated, as Jan Lievens.

榮譽呈獻

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

拍品專文

This picture relates to a painting of the same subject in the Palais des Beaux-Arts, Lille, which is landscape in format. The precise nature of the relationship between the two is still not entirely clear. In 1986, Werner Sumowski (loc. cit.) published the present work as an autograph fragment, from which the Lille painting was copied by another hand. Bernhard Schnackenburg (loc. cit.) attributes both paintings to Lievens, publishing the present work in 2017 as an autograph reduced replica of the Lille painting, with the composition contracted to make it upright in format.

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