SAMUEL PALMER, R.W.S. (LONDON 1805-1881 REDHILL, SURREY)
SAMUEL PALMER, R.W.S. (LONDON 1805-1881 REDHILL, SURREY)
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SAMUEL PALMER, R.W.S. (LONDON 1805-1881 REDHILL, SURREY)

La Vocatella: a Chapel built by a hermit near Corpo de Cava, in the neighbourhood of Salerno and Naples

Details
SAMUEL PALMER, R.W.S. (LONDON 1805-1881 REDHILL, SURREY)
La Vocatella: a Chapel built by a hermit near Corpo de Cava, in the neighbourhood of Salerno and Naples
signed, inscribed and dated 'Samuel Palmer 1844/ 4 Grove St. Lisson Gro[ve]' (lower right)
pencil, watercolour and bodycolour heightened with gum arabic and with scratching out
15 1/4 x 19 7/8 in. (38.7 x 50.5 cm.)
Provenance
W.H. Glennie; Christie's, London, 22 June 1928, lot 37 (as 'A Classical Landscape') (90 gns to Vicars).
Mrs B.M. Towlson; Sotheby's 19 April 1961, lot 57 (as 'A Monastery near Naples with Peasant Women and their Goats in the Foreground') (£1,300 to Lock).
Literature
R. Lister, The Letters of Samuel Palmer, Oxford, 1974, p. 179.
R. Lister, Catalogue Raisonné of the works of Samuel Palmer, Cambridge, 1988, p. 145, no. 392.
Exhibited
probably London, Old Water-Colour Society, summer 1845, no. 98.
Special notice
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.

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Lot Essay

This drawing, dated 1844, is based on a sheet executed in 1838 and now in the Graves Art Gallery, Sheffield. Both sheets employ some of Palmer's earlier technical methods, including dotting and dappling in the trees and careful layering of textures. However, the Graves sheet shows some difficulty in the rendering of perspective, which has been corrected here. Palmer travelled to Italy in the autumn of 1837 on an extended honeymoon, having married Hannah Linnell on 30 September. They travelled with his great friend George Richmond (1809-1896) and his family, and remained in Italy until 1839. The group travelled from London to Calais, spending a week in Paris before passing through Lausanne and the Simplon Pass to Lago Maggiore. They spent a few days in Milan, then on through Palma, Bologna and Florence to Rome, arriving in mid-November. They spent the winter there, and in May 1838, the Richmonds returned to Florence, while the Palmers travelled on to Naples (where they met Edward Lear and Thomas Uwins), Pompeii, and then by September reached Torre Annunziata, Salerno and Corpo di Cava, where they met John Frederick Lewis and the present drawing was made.
Palmer's art was strongly influenced by his time in Italy, taking in broader views, larger designs and vibrant colours than his earlier work. He returned to some of his sketches later, as with the present drawing, working them up into larger and more highly finished compositions.

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