A VERY FINE WHITE JADE FIGURE OF A RECUMBENT HORSE
A VERY FINE WHITE JADE FIGURE OF A RECUMBENT HORSE
A VERY FINE WHITE JADE FIGURE OF A RECUMBENT HORSE
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A VERY FINE WHITE JADE FIGURE OF A RECUMBENT HORSE

18TH CENTURY

Details
A VERY FINE WHITE JADE FIGURE OF A RECUMBENT HORSE
18TH CENTURY
The horse is shown with head turned backwards and nestled between the tucked legs. The ridged backbone follows the elegant curve of the body. The softly polished stone is of even white tone.
3 1/8 in. (8 cm.) long, cloth box
Provenance
Malcolm Barnett, The Kirknorton Collection, Hong Kong.
Anthony Carter, London, 12 July 2000.
The LJZ Collection, United States.
Literature
B. Morgan and Li Boqian, Naturalism & Archaism: Chinese Jades from the Kirknorton Collection, London, 1995, no. 31.
A. Carter, The LJZ Collection of Chinese Jades, London, 2022, pp. 98-99, no. 43.
Exhibited
London, Carter Fine Art Ltd., Naturalism & Archaism: Chinese Jades from the Kirknorton Collection, 1995.

Brought to you by

Vicki Paloympis (潘薇琦)
Vicki Paloympis (潘薇琦) Head of Department, VP, Specialist

Lot Essay

Horses were depicted in jade as early as the Tang dynasty (AD 618-907) and continued to be a favored subject into the Qing period. As a symbol of speed and strength they are depicted as metaphors for the fine qualities expected in good officials, and embody the wish for immediate success. During the 18th century the finest carvings of horses, as well as other animals and birds, were executed in white jade of the highest quality. This can be seen in a carving of two horses shown seated beside and looking at each other in the Qing Court Collection, illustrated in The Complete Collection of Treasures of the Palace Museum - 42 - Jadeware (III), Hong Kong, 1995, p. 109, pl. 89. As with the present figure, the two horses are finely and realistically carved. Another white jade example of smaller size (4 cm.) that depicts a horse curled up on its side as it bites one of its hind legs is illustrated in Chinese Jade Animals, Hong Kong Museum of Art, 1996, pp. 182-83, no. 175. The present figure stands out for its exquisite and sensitive carving as well the purity of its white color and fine polish.

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