A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR
A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR
A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR
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A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR
7 More
A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR

CIRCA 1860

Details
A NAPOLEON III NEEDLEPOINT-UPHOLSTERED SLIPPER CHAIR
CIRCA 1860
Upholstered in floral needlepoint, the back centered by an oval medallion with a crowned 'R', the back upholstered in crimson damask, with elaborate tasseled fringe and passementerie, on turned tapering fluted legs terminating in brass caps and castors, the back two legs extended
35 ½ in. (90 cm.) high, 20 in. (51 cm.) wide, 22 in. (55.9 cm.) deep
Provenance
Baron James de Rothschild (1792-1868), Salon Louis XVI, in the Château de Ferrières, Seine-et-Marne.
By descent to the present owners.
Literature
‘Château de fêtes du temps des crinolines : Ferrières’, Plaisir de France, December 1969, pp. 69, no. 373.C. de Nicolay-Mazery, Visites privées, hôtels particuliers de Paris, Paris, 1999, p. 18.

Lot Essay

This slipper chair encapsulates both the style and the practicalities of design in the mid-19th century and by extension is the personification of the sumptuous domesticity known as 'le goût Rothschild.' The chair's form, with a lack of arms, is such that it allows easy usage by women. Called the 'slipper chair,' it was designed to allow the user easy, or easier, access to their own feet, although it is likely that a maid would also be involved with dressing. Encrusted with fashionable fringed and floral embroidered covers, this chair is typical of the 'occasional' furniture of the period and would have been regarded as the height of style and elegance.

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