PORTRAIT OF GUL-SAFA SHAHZADI
PORTRAIT OF GUL-SAFA SHAHZADI
PORTRAIT OF GUL-SAFA SHAHZADI
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PORTRAIT OF GUL-SAFA SHAHZADI

WITH ADDED SIGNATURE OF MANOHAR, PROBABLY DECCAN, INDIA, EARLY 18TH CENTURY

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PORTRAIT OF GUL-SAFA SHAHZADI
WITH ADDED SIGNATURE OF MANOHAR, PROBABLY DECCAN, INDIA, EARLY 18TH CENTURY
Pen and ink heightened with gold on paper, identified in red ink at the top, signed below, set within a blue border and gold and polychrome rules, laid down on buff coloured margins, the verso plain
Painting 5 5⁄8 x 3 ¾in. (15 x 9.5cm.); folio 13 ¾ x 9 ½in. (35 x 24cm.)

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Sara Plumbly
Sara Plumbly Director, Head of Department

Lot Essay

INSCRIPTION NOTES:
Above, shabiy-e gul safa shahzadi 'Portrait of Princess Gul Safa'; Below, amal-e manohar 'Work of Manohar'

Whilst the crutch, mat and legs tied together suggest a typical depiction of a Sufi mendicant, the present lot is unusual for its depiction of a woman as indicated by her breasts and bundle of long hair bursting out from beneath the turban. The inscription above suggests this might be a portrait of Gul Safa Lahori, the sweetheart of Mughal Prince Dara Shikoh. Another, more typical, portrait of Gul Safa is in the Johnson Album, now in the British Library. Given Dara Shikoh’s strong Sufi leanings, it is perhaps unsurprising that his consorts were similarly spiritually inclined.

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