Lot Essay
The artist of this painting is likely to have also completed illustrations for several other important mid-16th century manuscripts. The two most notable are a Khamsa of Nizami in the Freer Gallery of Art dated 1548 (inv. 08.199) and a Shahnama dated to 1560 in the Art and History Trust Collection (Abolala Soudavar, Art of the Persian Courts, New York, 1992, no.98c, pp.247-48). Both of these are attributed to Shiraz. The finesse and details of the artist, called 'Artist A' by Soudavar, suggest that he was most likely a painter associated with the Royal atelier.