A REARING STALLION
A REARING STALLION
A REARING STALLION
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A REARING STALLION

MUGHAL INDIA, 17TH CENTURY

細節
A REARING STALLION
MUGHAL INDIA, 17TH CENTURY
Opaque pigments heightened with gold on paper, mounted onto an album page within green, gold and white rules, the salmon-pink margins with gold floral decoration, verso with a Persian couplet in 2ll. black nasta'liq contained in clouds against a gold ground, mounted between a dark blue inner border and light blue outer border with gold and polychrome rules, numbered '12' in the upper margin, mounted, framed and glazed between double-sided glass
Painting 4 ¼ x 6 3⁄8in. (10.8 x 16.3cm.); folio 7 ¼ x 8 ¼in. (18.5 x 21.2cm.)
刻印
On the verso an unattributed Persian couplet, baz amadam kih sajda-yi an khak-i pa(k) kunam/ gar ta’ati qaza shuda bashad ada kunam, 'I returned to prostrate on that pure ground, If obedience has been decreed, then I shall carry it out’

榮譽呈獻

Sara Plumbly
Sara Plumbly Director, Head of Department

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This depiction of a rearing stallion demonstrates the influence that European printmaking and engravings had on Mughal painting. The features, pose and background in our painting are closely comparable to an engraving by Hieronymus Wierix (1553-1619) of the horse Gallicus based on the design by Jan van der Straet (also known as Stradanus, 1523-1607), that was part of his series recording the horses of Don John of Austria, Equile Ioannis Austriaci Caroli V Imp.F. European engravings were brought to the Mughal court by Jesuit missionaries and European traders in the late sixteenth century and served as an important resource for artists in the Imperial atelier. The interest in European engravings, and the level to which they were held in esteem, is demonstrated by the inclusion of two small engravings on a folio from the Gulshan album, now in the Náprstek Museum, Prague (Inv.no.A12183). Abu’l Hasan, La’l, Manohar, Basawan and Keshav Das are just some of the Mughal artists to whom European-inspired paintings are attributed. The whimsical townscape in the background is likely also inspired by European engravings but with the addition of two roaming elephants and is comparable to the background of a late seventeenth century painting of a Royal Cavalcade of Hunters and a Chenchu couple stalking deer by night which was sold in these Rooms, 27 October 2022, lot 95.

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