Ivan Konstantinovich Aivazovskii (1817-1900) Aivazovskii studied in Feodosia, his native town in the Crimea, before leaving in 1833 to study at the Academy of Arts under M.N. Vorob'ev and F. Tanner at St. Petersburg. He exhibited at the Academy's exhibitions from 1835, winning the lesser Gold Medal the following year and in 1837, the greater medal and title of artist. From 1840-1844 he travelled on an Academy pension to Italy, also visiting Germany, France, Spain and Holland. In 1842 he met J.M.W. Turner who was so impressed with his "Bay of Naples in Moonlight" that Turner composed a poem in Italian in praise of the young artist and in 1843 he went on to win the gold medal in the Paris exhibition for his "Isle of Capri". In 1844 he was elected academician by the Academy of Arts in St. Petersburg, and in 1847 was entitled Professor of painting. In 1845 he travelled through Turkey, Asia Minor and the Greek Archipelago before finally settling in Feodosia and playing a major role in the development of maritime painting, and producing a large number of canvasses, a total estimate of about 6,000. As well as the Academy of Arts in St. Petersburg he was also a member of those at Rome, Florence, Stuttgart and Amsterdam, and showed his work in over 120 different exhibitions.
Ivan Konstantinovich Aivazovskii (1817-1900)

Details
Ivan Konstantinovich Aivazovskii (1817-1900)
The Crimean Alupka Palace, below Ai-Petri, seen from the sea
signed in cyrillic and dated '1890'
oil on canvas
12¾ x 10½in. (32.5 x 26.5cm.)

Lot Essay

Constructed at a cost reputed to have been almost 3 million roubles to designs by the notable English architect Edward Blore, the Alupka Palace was the epitome of luxury even by the standards of imperial Russia. Situated on the south coast of the Crimea below Mount Ai-Petri, near Yalta, it was built for the fabulously wealthy Prince Potemkin in 1837 who spared no expense in creating gardens to match the magnificence of the house. As they grew to maturity, the statuesque cypress trees in the grounds became an instantly recognisable feature of the palace from the sea, so much so that it proved an obvious choice for William Simpson to portray in his famous series of Crimean War Studies produced fromn 1854-56. By that date, the palace had become home to Prince Woronzoff and is identified as such in Simpson's version of the above view.

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