Lot Essay
Engraved on the underside is Apollo and a fawn. The god is depicted nude but for a chlamys over his shoulders, draping over both arms. He stands nearly frontally with his head in profile, both arms lowered, the left angled forward, the right holding a curved staff. The fawn stands behind him, facing right. The scene is enclosed within a dotted border.
For another Apollo undoubtedly by the same engraver see the cut carnelian scaraboid in Boston, no. 47 in J.D. Beazley, The Lewes House Collection of Ancient Gems. Both depict the god standing frontally, with shoulder length hair (zazerra-style according to Beazley) and with details of the anatomy delineated by drilled pellets. The Boston version differs in that the fawn’s head looks up towards Apollo, and there is an additional hawk on his left arm and a laurel branch in his hand.
For another Apollo undoubtedly by the same engraver see the cut carnelian scaraboid in Boston, no. 47 in J.D. Beazley, The Lewes House Collection of Ancient Gems. Both depict the god standing frontally, with shoulder length hair (zazerra-style according to Beazley) and with details of the anatomy delineated by drilled pellets. The Boston version differs in that the fawn’s head looks up towards Apollo, and there is an additional hawk on his left arm and a laurel branch in his hand.