LYNN CHADWICK, R.A. (1914-2003)
LYNN CHADWICK, R.A. (1914-2003)
LYNN CHADWICK, R.A. (1914-2003)
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PROPERTY FROM THE IMPORTANT CANADIAN COLLECTION OF EPH AND SHIRLEY DIAMOND
LYNN CHADWICK, R.A. (1914-2003)

Sitting Couple on Base II

Details
LYNN CHADWICK, R.A. (1914-2003)
Sitting Couple on Base II
signed, numbered and dated 'CHADWICK/72 647 1⁄6' (on the side of the base)
bronze with a dark brown patina
20 ½ in. (52 cm.) deep
Conceived and cast in 1972.
Provenance
with Gallery Moos, Toronto, where purchased by the present owners in January 1973.
Literature
Exhibition catalogue, Chadwick: Recent Sculpture, London, Marlborough Fine Art, 1974, pp. 6, 22, no. 19, another cast illustrated.
D. Farr and E. Chadwick, Lynn Chadwick Sculptor: With a Complete Illustrated Catalogue 1947-2003, Farnham, 2014, p. 292, no. 647, another cast illustrated.
Exhibited
London, Marlborough Fine Art, Chadwick: Recent Sculpture, January 1974, no. 19, another cast exhibited.

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Lot Essay


Lynn Chadwick redefined the way human forms can be represented in sculpture, and was particularly interested in paired figures, having first approached the theme in the 1950s. It continued to occupy him throughout his career. He initially explored the human form by looking in detail at how a figure moves and at the stances they might take, but in the 1970s he started to standardise these figures. Eventually, Chadwick developed a kind of visual code, adopting a triangle and square head as a shorthand device for the symbolisation of the male and female forms.

Chadwick has discussed the reasons for blanked faces in his work: he understood body language to have a far greater power in conveying mood and character than facial features, which he felt to be limiting. Commenting in 1991, the sculptor revealed 'the important thing in my figures is always the attitude - what the figures are expressing through their actual stance. They talk, as it were, and this is something a lot of people don't understand' (the artist in an interview with Barrie Gavin broadcast on HTV West, 1991).

We are very grateful to Sarah Chadwick for her assistance in cataloguing this lot.

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