HENRI DE TOULOUSE-LAUTREC (1864-1901)
HENRI DE TOULOUSE-LAUTREC (1864-1901)
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HENRI DE TOULOUSE-LAUTREC (1864-1901)

Le Jockey

Details
HENRI DE TOULOUSE-LAUTREC (1864-1901)
Le Jockey
lithograph, on Chine paper, 1899, Wittrock's first state (of two), from the first edition of approximately 70 printed in black (there was also a second edition of 112 in colors), published by Pierrefort, Paris, the full sheet, framed
Sheet: 20 3⁄8 x 14 ¼ in. (518 x 362 mm.)
Literature
Delteil 279; Adhémar 365; Wittrock 308; Adriani 345

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Lot Essay

The distant windmill visible in Le Jockey identifies the setting as the racing course at Longchamps, in the Bois de Boulogne, Paris. The dynamism of the print is achieved through the daring foreshortening of the foreground horse and dramatic use of perspective, devices indebted to the work of Degas and Manet. The boldness of the composition is further heightened by the high horizon and abrupt cropping of the horses at the left viewed from an elevated position (a device derived from Japanese prints), creating the illusion that they are actually suspended from the ground.

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