EDGAR DEGAS (1834-1917)
EDGAR DEGAS (1834-1917)
EDGAR DEGAS (1834-1917)
2 更多
THE PHILLIPS FAMILY COLLECTION
EDGAR DEGAS (1834-1917)

Jeune femme nue se coiffant

細節
EDGAR DEGAS (1834-1917)
Jeune femme nue se coiffant
signed 'Degas' (lower left)
pastel on paper
17 x 11 1⁄8 in. (43 x 28.5 cm.)
Drawn circa 1889-1890
來源
Ambroise Vollard, Paris.
Albert Sancholle Henraux, Paris (by 1924).
Jean Dieterle, Paris.
Tedesco Frères, Paris.
Paul Pétridès, Paris.
Comtesse de Maistre, Paris.
The Lefevre Gallery (Alex. Reid & Lefevre, Ltd.), London (by 1956).
Acquired by the Phillips family, by 1958.
出版
A. Vollard, Degas, quatre-vingt-dix-huit reproductions signées par Degas (peintures, pastels, dessins et estampes), Paris, 1914 (illustrated, pl. XXXIII; titled Femme se peignant).
H. Rivière, Les dessins de Degas reproduits en fac-simile, Paris, 1924, no. 96 (illustrated, pl. 96; titled Femme nue se peignant).
The Connoisseur, June 1957, vol. CXXXIX, p. xxxii (illustrated).
P. Brame and T. Reff, Degas et son oeuvre, A Supplement, New York, 1984, p. 142, no. 131 (illustrated, p. 143).
展覽
Nassau County Museum of Art, La Belle Époque, June-September 1995, p. 43 (illustrated).
更多詳情
After the pre-sale exhibition, this lot will be transferred to storage in Delaware and will be available for shipment from Delaware. Please note that title to the lot will transfer to the buyer in accordance with the Conditions of Sale while the lot is in storage in Delaware. Contact Christie’s Client Service team at +1 212 636 2000 for further details.

榮譽呈獻

Margaux Morel
Margaux Morel Associate Vice President, Specialist and Head of the Day and Works on Paper sales

拍品專文

“In dozens of charcoal drawings, pastels, and even sculptures, this angular averted figure towers over his pictorial repertory. Leaning forward to attend to her hair and dry her neck, the woman twists her back so that the side of her thighs and the breadth of her shoulders are simultaneously visible. The curiously flattened shape that resulted clearly fascinated the artist, offering an oblique structure that energized a number of major compositions.”
—Richard Kendall

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