REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

The Ringball Player (‘Het Klosbaantje’)

Details
REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
The Ringball Player (‘Het Klosbaantje’)
etching
1654
on laid paper, watermark Arms of Amsterdam (Hinterding A.d.)
a very good impression of the first state (of two)
with margins
in very good condition
Plate 95 x 141 mm.
Sheet 108 x 150 mm.
Provenance
With P. & D. Colnaghi & Co., London (with their stocknumber C.7468 in pencil verso).
With Associated American Artists, New York.
Sam Josefowitz (Lugt 6094); acquired from the above in 1969; then by descent to the present owners.
Literature
Bartsch, Hollstein 125; Hind 272; New Hollstein 282 (this impression cited)
Stogdon p. 291

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Tim Schmelcher
Tim Schmelcher International Specialist

Lot Essay

This is the only secular print of 1654, a year in which Rembrandt focused on a series of prints depicting scenes from the childhood and youth of Christ (NH 276-281). Perhaps he carried a plate of the same modest, horizontal format with him when he decided to etch this scene in a pub. The print shows an old Netherlandish game called klossen (now known as beugelen), which was played in klossenbaantjes (ringball alleys), that were frequently found at inns. The rules involved iron hoops and knocking your opponent’s ball into the gutter, like an indoor version of croquet. The figure in the foreground appears to be relaxing away from the drama of the game behind him, although the lack of refreshments on the table and his slightly despondent demeanour suggests he may be an early victim of the competition that continues without him.

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