A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS
A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS
A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS
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A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS
6 More
A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS

17TH CENTURY

Details
A PAIR OF JAPANESE PAGODA-FORM GILT-METAL-MOUNTED, BLACK AND GILT LACQUER TABLE CASKETS
17TH CENTURY
Decorated with river landscapes with stilted pavilions and storks in gold maki-e lacquering, the angles with floral-decorated gilt-metal mounts, each casket with hinged lid with sliding top panel enclosing a compartment, the covers each with an internal central vacant mirror recess above a nashiji-lacquer interior, one end panel sliding to reveal a concealed drawer to the base, the canted angles with turned pilasters on turned feet
10 ½ in. (26.5 cm.) high; 12 ½ in. (32 cm.) wide; 8 ¾ in. (22 cm.) deep
Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
Provenance
Possibly Mary Sandys, Marchioness of Downshire, Baroness Sandys (1764-1836), and by descent.
Literature
A. Oswald, 'Ombersley Court, Worcestershire - III', Country Life, 16 January 1953, p. 135, pl. 3.
Ombersley Court Inventory, 1963, in 'The Chinese Chippendale Room'.

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Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

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Lot Essay

These jewel-like caskets would always have always been highly prized for their exquisitely detailed lacquer decoration and for a pair to survive in such an untouched state is especially rare. Whilst their early provenance has not been traced, they were present in the 'Chinese Room' at Ombersley Court from at least the early-mid 20th century – a room that had changed very little from its creation circa 1814. The room retained its original decorative scheme and furnishings until the sale of the house in 2017 – so it would seem most likely that that these caskets were likely acquired by Mary, Marchioness of Downshire (1764-1836) for that room and formed part of its furnishings from its inception under her direction. In the early 19th century caskets such as these would have been especially prized due to the scarcity of Japanese works of art thanks to Japan’s isolationist policies, which had starved Europeans of Japanese art for more than 150 years.

Similar caskets are illustrated and discussed in: Exhibition catalogue, The Beauty of Black and Gold Japanese Lacquer: Makie, Kyoto, National Museum, 1995, pp. 202-216, including a closely related casket that is held in the collection of The Victoria & Albert Museum, London, (accession number: 628 to G-1868). A further similar casket, fitted in Europe as a necessaire, was sold, Christie's, Paris, 3 October 2012, lot 36 (265,000 Euros).

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