ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)
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ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)

Portrait of Letitia, Lady Sandys, née Tipping (1699-1779), three-quarter-length, in peeress robes

Details
ENOCH SEEMAN (DANZIG C. 1694-1744 LONDON)
Portrait of Letitia, Lady Sandys, née Tipping (1699-1779), three-quarter-length, in peeress robes
oil on canvas
50 x 40 in. (127 x 101.6 cm.)
Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
Provenance
(Presumably) by descent to the sitter's son,
Edwin Sandys, 2nd Baron Sandys (1726-1797), and by inheritance to his niece,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son,
Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and thence by descent in the family to,
Richard Hill, 7th Baron Sandys (1931-2013), at Ombersley Court, Worcestershire.
Literature
(Probably) J. Grego, Inventory of Pictures: Portraits, Paintings, etc., Ombersley MS., 1905, where listed in the Grand Staircase.
Ombersley Court Inventory, June 1963, annotated Ombersley MS., as 'Thomas Hudson', where listed in the Principal Staircase and Landing.
Ombersley Court Catalogue of Pictures, undated, Ombersley MS., p. 38, as 'Thomas Hudson', where listed on the Main Staircase.

Brought to you by

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

Letitia, daughter of Sir Thomas Tipping and his wife Anne Cheke, married Samuel Sandys, 1st Lord Sandys, Baron Ombersley in 1725. The couple went on to have ten children. She is depicted here in peeress robes, the ceremonial costume required for members of the aristocracy on state occasions. These robes had been standardised at the end of the Sixteenth Century. For women the costume was a long-trained crimson velvet mantle, edged with miniver. The length of the wearer’s train denoted their rank. As a baroness, Letitia would have had a train of three feet, and the back of her cape would have been adorned with two rows of ermine. In comparison, a duchess was allowed a train of six feet with a luxurious four rows of ermine. It is possible that this portrait was painted to celebrate the elevation of her husband to his baronetcy in 1743.

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