CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
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CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)

Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756), three-quarter-length, seated in a blue dress, holding a sprig

細節
CIRCLE OF MICHAEL DAHL (STOCKHOLM C. 1659-1743 LONDON)
Portrait of Viscountess Blundell, née Mary Chetwynd (1680-1756), three-quarter-length, seated in a blue dress, holding a sprig
oil on canvas, unlined
49 ½ x 39 ¼ in. (125.8 x 99.6 cm.)
with erroneous identifying inscription 'The Hon.ble Miss Blundell' (lower left)

Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
來源
(Presumably) by inheritance to the sitter's great-granddaughter,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son, Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and by descent to,
Richard Hill, 7th Baron Sandys (1931-2013), Ombersley Court, Worcestershire.
出版
ONM / 1 / 2 / 7, journal entry for a visit to Ombersley Court, 25 August 1950, Oliver Millar Archive, Paul Mellon Centre, London, p. 31, as 'possibly Dahl'.
Ombersley Court Inventory, June 1963, annotated Ombersley MS., as 'School of Kneller', where listed in the Grand Hall.
Ombersley Court Catalogue of Pictures, undated, Ombersley MS., p. 10, as 'School of Kneller', where listed in the Central Hall.

榮譽呈獻

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

拍品專文

Mary Chetwynd, daughter of John Chetwynd and his wife Lucy Roane, married Montague, 1st Viscount Blundell (see lot 127) in 1709, with whom she had three daughters and a son. Her brothers, Walter, John and William, each in turn Viscount Chetwynd, were all politicians. Interestingly, a group portrait or ‘conversation piece’ commissioned by Walter from the artist Charles Philips shows Mary and him taking tea at the Earl of Harrington’s London house near St. James’s Palace (Paul Mellon Centre, Yale, inv. no. B1981.25.503). The others in the group almost all belonged to the faction of ‘discontented Whigs’ who had expected to control the government after the accession of King George II, implying that Mary, who is pictured conversing as an equal with those around her, was also sympathetic to the Whig cause.

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