BENJAMIN WEST (SPRINGFIELD 1738-1820 LONDON)
BENJAMIN WEST (SPRINGFIELD 1738-1820 LONDON)
BENJAMIN WEST (SPRINGFIELD 1738-1820 LONDON)
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BENJAMIN WEST (SPRINGFIELD 1738-1820 LONDON)

Portrait of Edwin, 2nd Baron Sandys (1726-1797), half-length, in a red waistcoat and jacket

Details
BENJAMIN WEST (SPRINGFIELD 1738-1820 LONDON)
Portrait of Edwin, 2nd Baron Sandys (1726-1797), half-length, in a red waistcoat and jacket
oil on canvas, unlined
30 x 25 in. (76.2 x 63.5 cm.)
Please note that 100% of the hammer proceeds from this auction will be paid to the Sandys Trust, registered charity number: 1168357, with the exception of limited deductions towards sale costs across the auction which cannot be accurately calculated at this time, capped at a total of £10,000.
Provenance
(Presumably) by descent to the sitter's niece,
Mary, Marchioness of Downshire and 1st Baroness Sandys (1764-1836), and by descent to her second son,
Lieutenant-General Arthur Hill, 2nd Baron Sandys (1792-1860), and by inheritance to his younger brother,
Arthur Marcus Sandys, 3rd Baron Sandys (1798-1863), and thence by descent in the family to,
Richard Hill, 7th Baron Sandys (1931-2013), at Ombersley Court, Worcestershire.
Literature
J. Grego, Inventory of Pictures: Portraits, Paintings, etc., Ombersley MS., 1905, where listed in the Library.
Ombersley Court Inventory, June 1963, annotated Ombersley MS., as 'F. Cotes', where listed in the Library.
Ombersley Court Catalogue of Pictures, undated, Ombersley MS., p. 16, as 'Francis Cotes', where listed in the Library.

Brought to you by

Adrian Hume-Sayer
Adrian Hume-Sayer Director, Specialist

Lot Essay

Benjamin West arrived in England in 1763 and quickly made a name for himself as one of the most sought-after painters in Georgian London. This portrait must have been painted within a decade of West's arrival in London, as it pre-dates Reynolds' portrait of the sitter (lot 96), which was executed in 1773. West was dubbed the ‘American Raphael’ by his contemporaries and his portrayal of The Death of General Wolfe in 1770 marked a landmark moment in his career, becoming one of the most reproduced images of the late-eighteenth century. His success as a portraitist and history painter soon gained him the attention of significant patrons, not least George III, who appointed him historical painter to the King in 1772, and commissioned from him a series of eight large canvases of the life of Edward III and a proposed cycle of thirty-six paintings, representing ‘the progress of revealed religion’ for a chapel at Windsor Castle (though only twenty-eight were actually completed).

We are grateful to Brian Allen and Martin Postle for proposing the attribution to Benjamin West.

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