A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES
A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES
A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES
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A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES
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A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES

CIRCA 350-300 B.C.

Details
A SAMNITE BRONZE ANATOMICAL CUIRASS AND SIDE-PLATES
CIRCA 350-300 B.C.
Breast-plate: 11 5⁄8 in. (29.6 cm.) high; back-plate: 11 ½ in. (29.4 cm.) high; belt elements: 6 ¼ in. (16 cm.) long and 7 in. (17.8 cm.) long
Provenance
Antiquities, Sotheby's, London, 21 May 1984, lot 344.
Axel Guttmann (1944-2001), Berlin, acquired in Krefeld, 1986 (Inv no. AG136/R29a,b).
Antiken der Sammlung Axel Guttman, Auktion 54, Hermann Historica, Munich, 11 April 2008, lot 343.
with Royal-Athena Galleries, New York, acquired from the above (Art of the Ancient World, vol. XXI, 2010, no. 105).
Acquired by the current owner from the above, 2009.
Literature
M. Burns, "Graeco-Italic Militaria," in M. Merrony, ed., Mougins Museum of Classical Art, Mougins, 2011, pp. 229-230, fig. 130.
Exhibited
Musée d'Art Classique de Mougins, 2011-2023 (Inv. no. MMoCA334).

Brought to you by

Hannah Fox Solomon
Hannah Fox Solomon Head of Department, Specialist

Lot Essay

Early Italic bronze body armour consisted of a protective disc positioned over the heart, called a kardiophylakes. Over time this evolved into the triangular-shaped triple-disk cuirass. As the Italic peoples encountered the Greeks who had colonized the southern coasts, they soon adopted from them the anatomical cuirass. The Italic version, as seen here, did not cover the entire torso in the Greek manner, thus it functioned more similarly to the earlier, traditional triple-disk cuirass. In addition, the Samnite version displays highly-stylized musculature in contrast to the naturalism of contemporary Greek examples.

This cuirass is composed of a breast-and back-plate, the edges of which are perforated, likely for attachment of a leather or felt lining. Along their upper edges and sides are bronze plaques embellished with a wave pattern that connected to hinged plates that protected the shoulders and sides. Two hinged rectangular plates are preserved, one with a beaded border and a hook extending from a palmette. For a related cuirass see no. 243 in J. Chamay, et al., The Art of the Italic Peoples from 3000 to 300 BC. For a warrior on a Lucanian tomb painting from Paestum wearing similar armour, see pl. X in J.G. Pedley, Paestum, Greeks and Romans in Southern Italy.

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