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                                    FROM THE COLLECTION OF AOYAMA SAN’U (LOTS 1194-1197)
                            
                            WU CHANGSHUO (1844-1927)
                            Ink Plum Blossoms
Details
                                        
                                            WU CHANGSHUO (1844-1927)
Ink Plum Blossoms
Hanging scroll, ink on paper
136 x 41 cm. (53 ½ x 16 1⁄8 in.)
Inscribed and signed, with two seals of the artist
Dated yisi year (1905)
One collector’s seal
                                        
                                    Ink Plum Blossoms
Hanging scroll, ink on paper
136 x 41 cm. (53 ½ x 16 1⁄8 in.)
Inscribed and signed, with two seals of the artist
Dated yisi year (1905)
One collector’s seal
Literature
                                        
                                            Famous Paintings and Calligraphy of China - Wu Changshuo, Tensha Bunkai, May 2004, pl.18.
Selection of Wu Changshuo Paintings and Calligraphy in Japan, Xiling Seal Art Society, Hangzhou, October 2004, p.46.
Wu Changshuo Memorial Hall in Shanghai ed., Glory of Wu Changshuo’s artwork in Japan, Shanghai Bookstore Publishing House, Shanghai, June 2009, p.38.
                                    Selection of Wu Changshuo Paintings and Calligraphy in Japan, Xiling Seal Art Society, Hangzhou, October 2004, p.46.
Wu Changshuo Memorial Hall in Shanghai ed., Glory of Wu Changshuo’s artwork in Japan, Shanghai Bookstore Publishing House, Shanghai, June 2009, p.38.
Further details
                                        
                                            Aoyama San’u (1912-1993), also known as Aoyama Fumio, was a famous calligrapher in modern Japan. When he was a young man, he was influenced by Ooike Seiran (1899-1977), and also used Chinese calligraphy from the Wei and Jin Dynasties to the Tang Dynasty as a model to study calligraphy. Aoyama served as a professor at Daito Bunka University and Chukyo University, and contributed greatly to the development and education of Chinese calligraphy at the Kenshin Shudo Association and Daito Bunka University. He was a member of the Japan Art Institute and an advisor to the Kenshin Shudo Association, and was awarded a prize by the Japan Art Institute for his three books.
                                        
                                    Brought to you by

            
                Carmen Shek Cerne (石嘉雯)
            
            
                Vice President, Head of Department, Chinese Paintings
            
        
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