FLAMINIO INNOCENZO MINOZZI (BOLOGNA 1735-1817)
FLAMINIO INNOCENZO MINOZZI (BOLOGNA 1735-1817)
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Property from the Collection of Dr. Corinne Bronfman
FLAMINIO INNOCENZO MINOZZI (BOLOGNA 1735-1817)

Two designs for the corners of an illusionistic ceiling decoration

Details
FLAMINIO INNOCENZO MINOZZI (BOLOGNA 1735-1817)
Two designs for the corners of an illusionistic ceiling decoration
inscribed ‘piedi No. 17 Bolognesi’ and numbered scale (lower center)
black chalk, pen and brown ink, watercolor, watermark a shield with posthorn surmounted by a crown and ‘VANDERLEY’
9 1⁄8 x 14 ¾ in. (23 x 37.7 cm)
Provenance
Carlo Bianconi (1732-1802), Milan.
Luigi Bisi (1814-1886), Milan, as part of an album.
Giuseppe Gibelli (d. 1932), Milan, as part of an album; by descent to his grandson
Robert A. Baldini, as part of an album.
Dr. Richard P. Wunder (1923-2002), Middlebury, Vermont; Christie’s London, 7 July 1976, lot 84.
with Charles E. Slatkin Galleries, New York.
Gerald Bronfman (1911-1986) and Marjorie Bronfman, née Schechter (1917-2012), Montreal; by descent to
Corinne Bronfman (1947-2022), Washington DC; by descent to the present owners.
Exhibited
Middlebury, Middlebury College, Architectural, Ornament, Landscape, and Figure Drawings collected by Richard Wunder, 1975, no. 46A, ill.

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Giada Damen, Ph.D.
Giada Damen, Ph.D. Specialist

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Lot Essay

This drawing comes from the so-called Bisi-Gibelli album, originally containing three hundred drawings by the most famous 17th and 18th Century Bolognese decorative designers. The album was presented by Luigi Bisi, president of the Accademia di Brera in Milan, to one of the pupils, Giuseppe Gibelli, for his exceptional accomplishments as a student. Upon graduation Gibelli emigrated to the United Sates and became a decorator of public buildings. At his death the album was sold and later disbound.

Other similar drawings by Minozzi with designs for ceiling decorations survive. Some of these sheets can be connected to specific projects, such as a drawing in the Princeton University Art Museum for Palazzo Hercolani in Bologna (inv. x1968-193; see G. Damen in Italian Master Drawings from the Princeton University Art Museum, Princeton, 2014, no. 89, ill.), while others, such as the present one, do not bear any indications about the commissions for which they were made.

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