FERDINAND-VICTOR-EUGÈNE DELACROIX (CHARENTON-SAINT-MAURICE 1798-1863 PARIS)
EUGÈNE-VICTOR-FERDINAND DELACROIX (SAINT-MAURICE 1798-1863 PARIS)
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Property from the Collection of Dr. Corinne Bronfman
FERDINAND-VICTOR-EUGÈNE DELACROIX (CHARENTON-SAINT-MAURICE 1798-1863 PARIS)

Studies for Torquato Tasso in the madhouse and other figures

細節
FERDINAND-VICTOR-EUGÈNE DELACROIX (CHARENTON-SAINT-MAURICE 1798-1863 PARIS)
Studies for Torquato Tasso in the madhouse and other figures
pen and brown ink, watermark flower surmounted by a star
9 x 14 ½ in. (24.4 x 37 cm)
來源
The artist’s studio (L. 838a); Hôtel Drouot, Paris, 17-29 February 1864, possibly lot 316 (‘Le Tasse dans la prison des fous. Dessin’).
Gustave Cahen (1848-1928), Paris; Galerie Georges Petit, Paris, 24 May 1929, lot 24.
Marcel Guérin (1873-1948), Paris (L. 1872b).
with Dr. Fritz and Dr. Peter Nathan, Zurich.
Gerald Bronfman (1911-1986) and Marjorie Bronfman, née Schechter (1917-2012), Montreal; by descent to
Corinne Bronfman (1947-2022), Washington DC; by descent to the present owners.
展覽
Paris, Louvre and Bibliothèque Nationale, Eugène Delacroix, 1930, no. 273.
Ottawa, National Gallery of Canada, European Drawings from Canadian Collections, 1500-1900, 1976, no. 42, ill. (catalogue by M. Cazort Taylor).
Winterthur, Oskar Reinhart Collection ‘Am Römerholz, Eugène Delacroix. Reflections. Tasso in the Madhouse, 2008, no. 15a, ill. (entry by M. Stuffmann).

榮譽呈獻

Giada Damen, Ph.D.
Giada Damen, Ph.D. AVP, Specialist, Head of Sale

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拍品專文

This drawing was made in preparation for the painting of Tasso in the madhouse at the Ospedale di Sant'Anna in Ferrara, painted in 1839 (and not accepted at the Salon), now in the Oskar Reinhart Collection ‘Am Römerholz’ in Winterthur (inv. 1919.1; see Stuffmann, op. cit., 2008, no. 15, ill.). Here, the poet, seated in the pose of a thinker, takes on the persona of a hero confined to the asylum, who has to endure the eccentricities of the insane in a cell next to his own, visible through the bars of an opening. An earlier painted version of this picture was exhibited at the Salon of 1834 (without number) and is more finished, quite different in composition. In it, the other inmates are depicted full-length in the same room, just behind Tasso (private collection; see ibid., no. 5, ill.). Another pen study with numerous annotations and in a style very similar to the present sheet is also related to the the earlier painting, and is in the Musée du Louvre, Paris (inv. R.F. 31775; see ibid., no. 15b, ill.).

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