GUSTAVE MOREAU (PARIS 1826-1898)
GUSTAVE MOREAU (PARIS 1826-1898)
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Property from the Collection of Dr. Corinne Bronfman
GUSTAVE MOREAU (PARIS 1826-1898)

Costume design for Sapho in Charles Gounod’s opera

Details
GUSTAVE MOREAU (PARIS 1826-1898)
Costume design for Sapho in Charles Gounod’s opera
signed with initials ‘-GM-‘ (lower right) and inscribed ‘SAPHO/ Mlle Krauss’ (lower left)
graphite, heightened with white, graphite framing lines, on tracing paper
13 5⁄8 x 6 1⁄8 in. (34.5 x 15.5 cm)
Provenance
with Charles E. Slatkin Galleries, New York.
Gerald Bronfman (1911-1986) and Marjorie Bronfman, née Schechter (1917-2012), Montreal; by descent to
Corinne Bronfman (1947-2022), Washington DC; by descent to the present owners.

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Lot Essay

On 2 April 1884, the Paris Opéra produced an expanded version of Charles Gounod’s Sapho which had premiered in 1851. According to letters dated from 3 August to 31 October 1883 at the Musée Gustave Moreau, Moreau’s costume designs for Sapho did not result from a commission, but rather a request for advice from Régnier, administrator of the Paris Opéra. During the summer of 1883 Moreau submitted an initial proposal of drawings for the five main characters. His designs were considered too complicated and he followed up with a second series in the autumn. These in turn were used by the Opéra costume designer Eugène Lacoste, who copied Moreau’s drawings.
Pierre-Louis Matthieu lists five studies for the costume of Sappho (Gustave Moreau. Monographie et Nouveau catalogue de l’œuvre dessiné, Paris, 1998, nos. 329-333). One of them, from the Ann and Gordon Getty collection, was recently on the market (Christie’s, New York, 22 October, 2022, lot 126). The present drawing is a tracing of a watercolor now in a private collection (Matthieu, op. cit., no. 329). The title-role in the opera was played by the Austrian mezzo-soprano Marie-Gabrielle Krauss (1842-1906) who may have sat for Moreau.

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