CHAND BIBI HUNTING
CHAND BIBI HUNTING
1 More
A FOLIO FROM THE REID ALBUMS
CHAND BIBI HUNTING

MUGHAL INDIA, MID-18TH CENTURY

Details
CHAND BIBI HUNTING
MUGHAL INDIA, MID-18TH CENTURY
Opaque pigments heightened with gold on paper set within cream borders with blue and gold floral meander, gold and polychrome rules, the verso with a calligraphic composition from the Munajar of Khawaja 'Abdullah Ansari signed by Sapahi, comprising 3ll. black nasta'liq reserved in clouds against a white ground decorated with polychrome flowers, set within a cross-hatched buff inner border and blue outer border with floral meander, the buff margins on both sides illustrated with opaque pigments heightened with gold and depicting royal hunting scenes, overall good condition
Recto: painting 8 x 5 ¼in. (20.3 x 13.3cm.); verso: text panel 8 ½ x 6 1/8in. (21.6 x 5.5cm.); folio 16 ¼ x 11 ½in. (41 x 29.2 cm.)
Provenance
Collection of Sir Hercules Read, sold Sotheby's London, 21 November 1928, lot 41
US trade, 1980s, when acquired by the present owner

Brought to you by

Sara Plumbly
Sara Plumbly Director, Head of Department

Check the condition report or get in touch for additional information about this

If you wish to view the condition report of this lot, please sign in to your account.

Sign in
View condition report

Lot Essay


Chand Bibi (d. 1599) became Regent of Bijapur during the minority of her son Ibrahim Adil Shah II (r. 1580-1627) following the death of her husband Ali Adil Shah I. She was later Regent of Ahmednagar during the minority of her great-nephew Bahadur Shah (1596-1600). She led the defence of Ahmednagar against the Mughal armies in 1595 gaining the title Chand Sultana. She continued to fight the invading Mughals before finally losing the fortress to Daniyal Mirza in 1599. An influential ruler and accomplished military leader and strategist, Chand Bibi’s image became popular in both Deccani and Mughal painting. Like the present lot, she is often depicted hawking, an activity typically enjoyed and pursued by princes and sultans rather than women. Our painting of Chand Bibi is particularly similar to one in the British Museum (1920,0917,0.25).

The album page which the painting belongs to relates to a group of folios assembled in Lucknow, circa 1780. The group are recognisable for their imaginative border decoration typically depicting mythological or genre scenes amongst vegetation and hills. The group have been called the Reid Albums, after Sir Charles Hercules Reid who sold them in the early 20th century. The largest group of fourteen folios is in the Pierpont Morgan Library, New York (MS 458). Barbara Schmitz has assigned them as Album A of group 2 of the Reid Albums, bought in 1911 (Islamic and Indian Manuscripts and Paintings in the Pierpont Morgan Library, New York, 1997, p.116). Our folio was sold separately to this larger group in 1928 at Sotheby's when Sir Charles was giving up his London House in Palace Gardens Terrace. Three further folios are in the Chester Beatty Library, Dublin (11A.70 to 11A.72), three were sold in these Rooms, 26 April 1994, lots 5, 8 and 10 and another was sold at Bonhams, New York, 17 March 2014, lot 108.

More from Art of the Islamic and Indian Worlds including Rugs and Carpets

View All
View All