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Ella
Details
GERHARD RICHTER (B. 1932)
Ella
signed and numbered '28/32 Richter.' (lower edge)
digital inkjet print flush mounted on Alu-Dibond, in artist's frame
image: 15 7/8 x 12 ¼in. (40.3 x 31cm.)
sheet: 21 ½ x 17 3/8in. (54.5 x 44cm.)
Executed in 2014, this work is number twenty-eight from an edition of thirty two plus four artist's proofs
Ella
signed and numbered '28/32 Richter.' (lower edge)
digital inkjet print flush mounted on Alu-Dibond, in artist's frame
image: 15 7/8 x 12 ¼in. (40.3 x 31cm.)
sheet: 21 ½ x 17 3/8in. (54.5 x 44cm.)
Executed in 2014, this work is number twenty-eight from an edition of thirty two plus four artist's proofs
Provenance
Marian Goodman Gallery, London.
Acquired from the above by the present owner in 2014.
Acquired from the above by the present owner in 2014.
Exhibited
Philadelphia, Philadelphia Museum of Art, Embracing the Contemporary: The Keith L. and Katherine Sachs Collection, 2016, pp. 214 and 278, pl. 126 (another from the edition exhibited and illustrated in colour, p. 217).
Bochum, Kunstmuseum Bochum, doing identity: Die Sammlung Reydan Weiss, 2017-2018, p. 112 (another from the edition exhibited).
Mantua, Palazzo Te, Tiziano/Gerhard Richter: Heaven on Earth, 2018-2019 (another from the edition exhibited and illustrated in colour, unpaged).
Dallas, Dallas Museum of Art, From Düsseldorf to Dallas: Postwar German Art in the DMA Collection, 2018-2019 (another from the edition exhibited).
Berlin, me Collectors Room, Kirchner-Richter-Burgert, 2019 (another from the edition exhibited).
Bochum, Kunstmuseum Bochum, doing identity: Die Sammlung Reydan Weiss, 2017-2018, p. 112 (another from the edition exhibited).
Mantua, Palazzo Te, Tiziano/Gerhard Richter: Heaven on Earth, 2018-2019 (another from the edition exhibited and illustrated in colour, unpaged).
Dallas, Dallas Museum of Art, From Düsseldorf to Dallas: Postwar German Art in the DMA Collection, 2018-2019 (another from the edition exhibited).
Berlin, me Collectors Room, Kirchner-Richter-Burgert, 2019 (another from the edition exhibited).
Further details
We thank Mr Hubertus Butin for the information he has kindly provided on this work.