A VERY RARE CARVED NORTHERN WHITE WARE JAR
A VERY RARE CARVED NORTHERN WHITE WARE JAR
A VERY RARE CARVED NORTHERN WHITE WARE JAR
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十世紀 白釉罐

10TH CENTURY

細節
十世紀 白釉罐
5 ¾ in. (14.7 cm.) wide, Japanese wood box
來源
廣田松繁(廣田不孤斎,1897 - 1973)珍藏,東京
穗積重威(1893 - 1959)珍藏,入藏於1943年前
林原家族珍藏,入藏於1960年代
出版
奥田誠一,横河民輔,大河内正敏編輯,《陶器圖錄》,東京,1938年,頁62,編號82
小山富士夫,《宋磁》, 東京,1943年,編號12
《世界陶磁全集》(卷10: 宋遼),東京,1955 年,編號75
拍場告示
Please note that this lot has addition provenance: Hirota Matsushige (aka Fukosai, 1897-1973) Collection, Tokyo; and additional literature: Okuda Seiichi, Yokogawa Tamisuke, Okouchi Masatoshi eds. Toki Zuroku (Ceramics Catalogue), vol. 7: China (I), Tokyo, 1938, p. 62, no. 82.

請注意,此拍品有額外來源:廣田松繁(廣田不孤斎,1897 - 1973)珍藏,東京;以及額外著錄出版:奥田誠一,横河民輔,大河内正敏編輯,《陶器圖錄》,東京,1938年,頁62,編號82。

榮譽呈獻

Rufus Chen (陳嘉安)
Rufus Chen (陳嘉安) Head of Sale, AVP, Specialist

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拍品專文

Hirota Masushige (aka Fukosai) was the founder of the preeminent art gallery Kochukyo in Tokyo in 1924.

This rare and boldly carved jar belongs to a small group of high-quality, 10th-century northern white wares that display strong influence of the Dingzhou kilns in Hebei province. A jar of very similar form and size, but with less crisp rendering of the petal- relief decoration, found in 1992 at the Liao dynasty kiln site at Longquanwu, approximately seventeen miles north of Beijing, is illustrated by Zhang Bai in Complete Collection of Ceramic Art Unearthed in China, Beijing, 2008, p. 56, no. 56. The important kiln site of Longuanwu has also been suggested by William Watson to be the possible source of the celebrated phoenix-head bottle with carved peony scroll and overlapping petal decoration in the British Museum, London. See W. Watson, Tang and Liao Ceramics, New York, 1984, p. 229, no. 273. Also illustrated, p. 238, no. 228, is a white stoneware ewer with similar carved petal decoration around the canted shoulder, which is dated 10th-early 11th century and attributed to the Liaoyanggangcun kiln in Liaoning province.

Very similar petal-relief decoration to that on the present jar can also be seen on a covered jar with canted shoulders, but of taller form, illustrated by Hin-Cheung Lovell in Ting Yao and Related White Wares in the Percival David Foundation, London, 1964, pl. XI, no. 193, where the author suggests the piece may perhaps have been made at a northern celadon kiln in Shensi or Honan province.

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