SIR PETER BLAKE, R.A. (B. 1932)
SIR PETER BLAKE, R.A. (B. 1932)
SIR PETER BLAKE, R.A. (B. 1932)
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SIR PETER BLAKE, R.A. (B. 1932)

Figure on a Box

Details
SIR PETER BLAKE, R.A. (B. 1932)
Figure on a Box
signed 'Peter Blake' (on the underside of the figure)
wood, enamel painted wood and bricks, unique
57 in. (144.7 cm.) high
Conceived circa 1961.
Provenance
Private collection, Hamburg.
Purchased by the present owner at the 1992 exhibition.
Exhibited
London, Tate Gallery, Peter Blake, February - March 1983, no. 133.
Darmstadt, Galerie Michael, Pop Art, 1992, p. 68, exhibition not numbered, illustrated.
London, Whitford Fine Art, Post-War to Pop - Modern British Art: Abstraction, Pop and Op Art, May - June 2008, n.p., no. 16, illustrated, as 'Standing Figure'.
London, Whitford Fine Art, Pop Art Heroes: Britain, May - July 2016, pp. 16-17, no. 7, illustrated, as 'Standing Figure'.
Kendal, Abbot Hall Art Gallery, Painting Pop: Paintings from 1960s Britain, July - October 2017.

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Pippa Jacomb
Pippa Jacomb Director, Head of Day Sale

Lot Essay

An extremely rare early sculpture, Figure on a Box presents Blake's fascination with objects - be they found, gifted or bought. Celebrated primarily for his draughtsmanship, Blake is best known for his meticulous paintings, drawings and prints which often focus upon every-day objects, reflecting the 1960s focus upon consumerism. However, as early as 1959, Blake made three-dimensional collages which had a sculptural appeal. Made from found objects – in a manner much like Duchamp, these works included a clothes locker painted RAF blue and decorated with a collage of pin-up girls, film stars and musicians. Locker was first exhibited at the ICA in 1960 along with Pair of Painted Shoes, 1959, a pair of shoe-trees, without the heel element, that had been painted in the fashion of two-tone brogues.

Standing Figure is constructed from a wooden box, bricks and pieces of wood. More sculptural than his other found three-dimensional collages, the box is painted in a shade of British racing green, with the diagonally striped red, white and blue referencing a Union Jack. The man or woman who stands upon the box is an ultimate distillation of form, only giving a sense of life through a single bended knee. Produced in a naïve manner of building blocks found in a nursery, the present sculpture is described as having a ‘quality of play resembling the most simple figures made by children as well as those produced by certain primitives’ (see exhibition catalogue, Peter Blake, London, Tate Gallery, 1983, p. 109).

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