Details
JACK BUTLER YEATS, R.H.A. (1871-1957)
The Sun
signed 'JACK B YEATS' (lower left), inscribed 'THE SUN' (on the stretcher)
oil on canvas
13 7⁄8 x 21 1⁄8 in. (35.3 x 53.7 cm.)
Painted in 1947.
Provenance
with HCE Gallery, Massachusetts, 1961.
Joseph H. Hirshhorn, New York, 1961.
A gift from the above to the Hirshhorn Museum and Sculpture Garden, Washington D.C., in 1966.
Their sale; Sotheby's, London, 10 May 1989, lot 152, where acquired for the present collection.
Literature
H. Pyle, Jack B. Yeats: A Catalogue Raisonné of the Oil Paintings, Vol. II, London, 1992, p. 766, no. 851, illustrated.
H. Pyle, Jack B. Yeats: A Catalogue Raisonné of the Oil Paintings, Vol. III, London, 1992, p. 442, no. 851, illustrated.
Exhibited
Tuam Art Club Exhibition, 1948, no. 3, catalogue not traced.
York, City Art Gallery, Jack Butler Yeats: Painting, 1960, no. 48.
Montreal, Waddington Galleries, Jack Butler Yeats: Paintings, October - November 1961, n.p., no. 36, illustrated.
Dublin, Royal Hibernian Academy, A Free Spirit: Irish Art 1860-1960, June - July 1990, pp. 184-185, no. 67, illustrated.
Manchester, City Art Gallery, Jack B. Yeats: A Celtic Visionary, March - April 1996, n.p., no. 19, illustrated: this exhibition travelled to Leeds, City Art Gallery, April - June 1996; and Belfast, Ormeau Baths Gallery, June - July 1996.
Dublin, Irish Museum of Modern Art, Championing Irish Art: The Mary and Alan Hobart Collection, April - July 2023, p. 55, exhibition not numbered, illustrated.

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Elizabeth Comba
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Lot Essay

Painted in 1947, The Sun personifies Jack Butler Yeats’ mature expressionistic style of the late 1940s when he created some of his most sought after paintings. Characterised by dynamic brushstrokes and thick impasto, Yeats's treatment of the medium at this time invites comparison with the paintings of his European Expressionist contemporaries, most notably the work of his good friend, Oskar Kokoschka. Here, Yeats depicts the sun erupting from a stormy sky with burst of lemon yellow and creamy white punctuated by vivid strokes of crimson. A figure resides in the foreground, his profile silhouetted against the sky, described by Yeats as ‘a boy’ in his record book (H. Pyle, Jack B. Yeats, p. 766.) The boy, clutching his cap, averts his gaze, and his youthful face, lit up by the beam of sun, accentuates the visionary character of the painting.

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