JACK BUTLER YEATS, R.H.A. (1871-1957)
JACK BUTLER YEATS, R.H.A. (1871-1957)
JACK BUTLER YEATS, R.H.A. (1871-1957)
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JACK BUTLER YEATS, R.H.A. (1871-1957)

Something Happening in the Street

Details
JACK BUTLER YEATS, R.H.A. (1871-1957)
Something Happening in the Street
signed 'JACK B./YEATS' (centre left), inscribed 'SOMETHING HAPPENING/IN THE STREET' (on the reverse)
oil on panel
9 x 14 3⁄8 in. (22.8 x 36.5 cm.)
Painted in 1944.
Provenance
Acquired directly from the artist by Leo Smith in 1944.
Laetitia Hamilton.
Great Southern Hotel, Sligo, by 1966.
with Dawson Gallery, Dublin.
Anonymous sale; Christie's, London, 13 November 1987, lot 428, where acquired for the present collection.
Literature
H. Pyle, Jack B. Yeats: A Catalogue Raisonné of the Oil Paintings, Vol. II, London, 1992, p. 590, no. 646, illustrated.
H. Pyle, Jack B. Yeats: A Catalogue Raisonné of the Oil Paintings, Vol. III, London, 1992, p. 363, no. 647, illustrated.
Exhibited
Dublin, National College of Art, National Loan Exhibition, June - July 1945, no. 166.
Belfast, Ulster Museum, Modern Irish Paintings in Great Southern Hotels, October - November 1966, no. 63: this exhibition travelled to Dublin, Building Centre, December 1966 - January 1967.
Sligo, County Museum and Library, An Exhibition of the Works of Jack B. Yeats and His Family, October - December 1971, no. 39.
Dublin, Royal Hibernian Academy, A Free Spirit: Irish Art 1860-1960, June - July 1990, p. 184, no. 66, illustrated.
Dublin, Irish Museum of Modern Art, Championing Irish Art: The Mary and Alan Hobart Collection, April - July 2023, p. 52, exhibition not numbered, illustrated.

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Elizabeth Comba
Elizabeth Comba Specialist

Lot Essay

Something Happening in the Street references Jack Butler Yeats’ contemplation of intimiste interiors during the 1940s. A young woman leans out of her bedroom window, enthralled by an unseen narrative occurring in the street below. There is an implacable sense of intrigue and excitement in what is happening beyond the picture plane, intensified by Yeats’ use of painterly brushstrokes to describe the scene. Employing a thick impasto, Yeats depicts the patterned wallpaper and crumpled bedlinen of the bedroom with deliberate texture and colour. The protagonist, with her pale pink skin and vivid auburn hair secured in a bun, invites comparison with the Rococo master, François Boucher’s odalisques.

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