A ROMAN MARBLE PORTRAIT HEAD OF MENANDER
A ROMAN MARBLE PORTRAIT HEAD OF MENANDER
A ROMAN MARBLE PORTRAIT HEAD OF MENANDER
A ROMAN MARBLE PORTRAIT HEAD OF MENANDER
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A ROMAN MARBLE PORTRAIT HEAD OF MENANDER

CIRCA 1ST CENTURY A.D.

細節
A ROMAN MARBLE PORTRAIT HEAD OF MENANDER
CIRCA 1ST CENTURY A.D.
10 ½ in. (26.8 cm.) high
來源
Swiss private collection.
Antiquities, Sotheby's, New York, 8 December 2000, lot 135.
Antiquities, Bonhams, London, 28 April 2010, lot 134.
出版
"Antiquities sales report," Minerva, September/October 2010, p. 48, fig. 3.
J. Pollini, "Roman Marbles," in M. Merrony, ed., Mougins Museum of Classical Art, Mougins, 2011, p. 85, fig. 23.
M. Merrony, Musée d’Art Classique de Mougins, Collection famille Levett, Mougins, 2012, pp. 55 and 85.
C. Wrathall, "Collectors & Collections," Christie’s Magazine, January-February 2016, p. 52.
M. Squire, "A Passionate Collector," Minerva, March/April 2018, p. 16, fig. 4.
展覽
Musée d'Art Classique de Mougins, 2011 - 2023 (Inv. no. MMoCA542).
拍場告示
Please note that the last line of provenance in the printed catalogue should read:

Antiquities, Bonhams, London, 28 April 2010, lot 134.

榮譽呈獻

Claudio Corsi
Claudio Corsi Specialist, Head of Department

拍品專文

Menander was a prominent Greek playwright of the New comedy period, born around 342 B.C. in Athens. He authored over 100 comedies, of which only fragments and one complete play, "Dysolos", have survived. Menander's works are characterized by their sophisticated plots, character-driven humour, and exploration of social themes such as love, family and human folly. His influence extended beyond Greece, significantly impacting Roman playwrights like Plautus and Terence. Menander's ability to capture the nuances of everyday life with wit and insight earned him a lasting legacy in the annals of theatrical history.

See G.M.A. Richter, Portraits of the Greeks, London, 1965, vol. II, pp. 224-236, figs 1514-1637 for a discussion of the portraits of Menander. This Roman copy is most likely after the original Greek bronze seated statue by Kephisodotos and Timarchos, the sons of Praxiteles, which according to Pausanias was set up after Menander's death in the Theatre of Dionysos at Athens, circa 292 B.C.

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