A ROMAN BRONZE AND SILVER VENUS
A ROMAN BRONZE AND SILVER VENUS
A ROMAN BRONZE AND SILVER VENUS
2 More
A ROMAN BRONZE AND SILVER VENUS

CIRCA 1ST CENTURY A.D.

Details
A ROMAN BRONZE AND SILVER VENUS
CIRCA 1ST CENTURY A.D.
7 ½ in. (19 cm.) high
Provenance
Aimé Péretié (1808-1882), Beirut.
Louis de Clercq (1882-1901), Paris; thence by continuous descent to his grand-nephew, Comte Henri de Boisgelin (1901-1967), Paris.
with N. Koutoulakis (1910-1996), Paris and Geneva, acquired 1960s; thence by descent.
with Rupert Wace Ancient Art, London, acquired from the above, 2009.
Acquired by the current owner from the above, 2010.
Literature
A. de Ridder, Collection De Clercq, vol. 3: Les bronzes, Paris, 1905, p. 84, no. 119, pl. XXV.
J. Spier, "Roman Bronzes," in M. Merrony, ed., Mougins Museum of Classical Art, Mougins, 2011, p. 134, fig. 13.
"À la croisée des regards," Cote Magazine, September 2012, p. 125.
"J'ai fait un rêve...," Zibeline, May/June 2012, p. 60.
J. West, "A Museum in Picasso’s Final Playground on the Hillsides above the Cote d’Azur adds Culture to the Sunshine,” Scotsman Magazine, November 2012, p. 32.
"L'or pour le musée de l'art classique de Mougins," Mougins Infos, February 2013, p. 21.
"Christian Levett: 'Mougins a une histoire artistique,'” Nice-Matin, 30th April 2013, p. 11.
“Destinations: Toulon,” Velocity, June 2014, p. 74.
“Musée d'Art Classique de Mougins: Des siècles d'art à découvrir," BeauxArts Magazine, August 2014, p. 114.
“Musée d'Art Classique de Mougins: Des siècles d'art à découvrir," BeauxArts Magazine, September 2014, p. 120.
“Agenda: L’art est dans l’air," Grand Sud, October/November 2014, p. 84.
State, 2014, no. 15, pp. 6 and 22.
“Musée d'Art Classique de Mougins: Museum to go,” Zeit Riviera, January/February 2017, p. 23.
“Exhibitions: Ancient Art,” Grand Sud, Autumn 2014, p. 88.
Force One Magazine, no. 15, 2017, p. 38.
“The MACM on the International Art Scene,” Mougins: Côte d’Azur, June 2017, p. 43.
“Musée d'Art Classique de Mougins: Art antique, néoclassique, moderne & contemporain," SO Cannes, Summer 2017, p. 115.
Exhibited
Musée d'Art Classique de Mougins, 2011-2023 (Inv. no. MMoCA509).

Brought to you by

Claudio Corsi
Claudio Corsi Specialist, Head of Department

Lot Essay

Aimé Péretié (1808-1882), was a collector, antiquarian and also a dragoman and chancellor of the French Consulate in Beirut. From there he directed and sometimes personally assisted in archaeological excavations, sending off objects to auction in Paris, donating to the Louvre and selling to private collectors. Acquiring a whole range of classical antiquities, Péretié is known to have amassed a considerable collection of bronze Venuses, many of them ending up with one of his most important clients, named Louis de Clercq, as is the case with this example.

Aphrodite is depicted here holding out her right hand, which originally would have held a patera. In her left hand she holds an apple. Her head, turned to the right, gazes down slightly and is framed by centrally-parted hair caught up in a chignon at the nape of her neck and surmounted by a silver crescentic diadem.

In the myth of the Judgement of Paris, Aphrodite was one of three goddesses, along with Hera and Athena, who vied for the title of the fairest. This contest began when Eris, the goddess of discord, tossed a golden apple inscribed with "To the Fairest" among the gods at a wedding feast. The goddesses claimed the apple, and Zeus appointed Paris, a Trojan prince, to judge their beauty. Each goddess offered a bribe: Hera promised power, Athena offered wisdom and victory in battle, and Aphrodite tempted Paris with the love of Helen, the most beautiful mortal woman. Paris awarded the golden apple to Aphrodite, which led to him abducting Helen and igniting the Trojan War.

More from Antiquities from the Mougins Museum of Classical Art

View All
View All