Scholar by a Lush Tree

Scholar by a Lush Tree is among Zhang Daqian’s most beloved themes in his later years. The Chinese title of the piece implies relaxation beneath a majestic tree, referencing towering trees and the scent of fresh moss. The title stems from a poem by Tang Dynasty poet Siku Tu (837-908), a verse often inscribed by Zhang Daqian in his paintings. In interpreting Zhang’s art, modern scholar Fu Shen (1936-2024) suggested that the poem was heavily influenced by Taoist principles, emphasizing a return to nature and a detachment from worldly ties. Zhang Daqian, akin to many scholars in Chinese history, adhered to Confucian ideals while also holding a deep appreciation for Taoist philosophy, particularly in his later years.

Dated 1981, this current piece showcases Zhang Daqian’s mastery in portraying figures, especially scholars, alongside his splashed ink and colour technique that he honed since the 1960s. It presents a lone scholar standing beneath a towering tree, gazing upon a verdant landscape. The artwork employs a rich layer of mineral blue pigment, establishing a striking contrast with the void on the right side of the composition, unveiling the profound and secluded forest. Contrasting with another work by the artist in 1982 featuring the same theme, Scholar by a Lush Tree captures a distinct contemplative stance of the scholar and a mystical ambiance. Zhang encapsulated profound meanings in this painting and dedicated it to his close friend Xiaowei.