CIRCLE OF DIEGO DE SILOÉ (1490-1563), CIRCA 1530-40
CIRCLE OF DIEGO DE SILOÉ (1490-1563), CIRCA 1530-40
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PROPERTY FROM A PRIVATE LONDON COLLECTOR
CIRCLE OF DIEGO DE SILOÉ (1490-1563), CIRCA 1530-40

Virgin and Child (Virgo Lactans)

Details
CIRCLE OF DIEGO DE SILOÉ (1490-1563), CIRCA 1530-40
Virgin and Child (Virgo Lactans)
parcel-gilt polychrome wood relief with a Latin inscription to the border, the reverse inscribed 'Velasco' twice
25 5⁄8 x 21 1⁄8 x 2 ½ in. (65 x 53.5 x 6.4 cm.)
Provenance
With L. Codosero Galeria de Arte Antiquo, November 2008.
Anonymous sale; Sotheby's, New York, 30 January 2021, lot 787.
With Sam Fogg Ltd.

Brought to you by

Lucy Speelman
Lucy Speelman Junior Specialist, Head of Part II

Lot Essay

Diego de Siloé (c. 1495–1563) was a Spanish sculptor and architect, renowned for his contributions to Renaissance art in Spain. The son of sculptor Gil de Siloé, he began his career working in Burgos, where he developed his skills in sculpture. Likely influenced by the works of Michelangelo during his time in Italy, Diego de Siloé became known for his innovative use of anatomy and classical forms, as seen in his works such as the tomb of Bishop Luis de Acuña in Burgos Cathedral. In 1528, he moved to Granada, where his architectural style flourished. His most significant work was his involvement in the construction of Granada Cathedral, where he designed the rotunda, choir stalls, and several other sections, blending Gothic and Renaissance styles. He also worked on several other prominent buildings in Andalusia, including Málaga Cathedral and the Capilla Real in Granada. Siloé’s work as both an architect and sculptor left a lasting influence on Spanish Renaissance architecture, particularly in Andalusia, where he helped establish a distinct Spanish Renaissance style.

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